IMAGINE SLASHER FILMS WITHOUT BLOOD; porn without nudity; the Sistine Chapel without God; the New York Stock Exchange without capital. Pretend that Hieronymus Bosch’s intermeshed figures could text. Ryan Trecartin’s videos depict a vertiginous world I’m barely stable enough to describe. Watching them, I face the identity-flux of Internet existence: surfing-as-dwelling. Images evaporate, bleed, spill, metamorphose, and explode. Through frenetic pacing, rapid cuts, and destabilizing overlaps between representational planes (3-D turns into 2-D and then into 5-D), Trecartin violently repositions our chakras. Digitally virtuoso, his work excites me but also causes stomach cramps. I’m somatizing. But I’m also trying to concentrate. Trecartin, born in Texas (a trace of drawl is a vocal leitmotif of his videos), broke into the art world with A Family Finds Entertainment in 2004, the year he graduated from the Rhode Island School of Design. (The art world: Does Trecartin need it?) Then, in 2006, came the seven-minute-long video (Tommy Chat Just E-mailed Me.) and the feature-length I-Be Area, both available on YouTube and UbuWeb. In the “Younger than Jesus” exhibition, at New York’s New Museum until July 5, Trecartin unveiled installments of his latest epic, composed of three interconnected, modular psychodramas: Sibling Topics (Section A), K-Corea INC. K (Section A), and Re’Search Wait’S (Edit 1: Missing Re’Search Corruption Budget), all 2009. (The videos are also on display this summer, with a larger installation, at the Fabric Workshop and Museum in Philadelphia.)

more from Wayne Koestenbaum at artforum here.

Jack Vance, described by his peers as “a major genius” and “the greatest living writer of science fiction and fantasy,” has been hidden in plain sight for as long as he has been publishing — six decades and counting. Yes, he has won Hugo, Nebula and World Fantasy awards and has been named a Grand Master by the Science Fiction and Fantasy Writers of America, and he received an Edgar from the Mystery Writers of America, but such honors only help to camouflage him as just another accomplished genre writer. So do the covers of his books, which feature the usual spacecraft, monsters and euphonious place names: Lyonesse, Alastor, Durdane. If you had never read Vance and were browsing a bookstore’s shelf, you might have no particular reason to choose one of his books instead of one next to it by A. E. van Vogt, say, or John Varley. And if you chose one of these alternatives, you would go on your way to the usual thrills with no idea that you had just missed out on encountering one of American literature’s most distinctive and undervalued voices.

more from Carlo Rotella at the NY Times Magazine here.

If you watch a video of the Jackson 5 performing “I Want You Back,” on the Ed Sullivan show, in 1969, you will see that the group’s lead vocalist—Michael, the youngest of the five brothers—was already an A-list dancer at the age of eleven. Here is this fat-cheeked boy, in a pink Super Fly hat that he is obviously proud of, doing tilts and dips and fanny rocks and finger snaps, and tucking in little extras—half steps, quarter steps—between them. Most amazing is his musicality, his ability to respond to the score faithfully and yet creatively, playing with the music, moving in before and after the beat. Musicality always comes off as spontaneity, and he was loved, early on, for that quality. Now turn to “Don’t Stop ’Til You Get Enough” (1979). Ten years have passed. He has started recording his own songs. He does fancier steps. But at twenty-one, as at eleven, he is galvanizing above all because of his naturalness. He hops with joy; he wags his head; his shirt comes untucked.

more from Joan Acocella at The New Yorker here.

Museum Piece

The good grey guards of art
Patrol the halls on spongy shoes,
Impartially protective, though
Perhaps suspicious of Toulouse.

Here dozes one against the wall,
Disposed upon a funeral chair.
A Degas dancer pirouettes
Upon the parting of his hair.

See how she spins! The grace is there,
But strain as well is plain to see.
Degas loved the two together:
Beauty joined to energy.

Edgar Degas purchased once
A fine El Greco, which he kept
Against the wall beside his bed
To hang his pants on while he slept.

by Richard Wilbur

from Contemporary American Poetry;
Penguin Books, Baltimore, 1962

From Salon:

When I heard that prominent black Harvard professor Henry Louis Gates Jr. was arrested for breaking into his own home in Cambridge, Mass., it made me proud of America. It may seem paradoxical to focus on the positive side of the preeminent scholar's public humiliation. This is, after all, a distinguished staff writer for the New Yorker, the man who helped Oprah find her roots. It may seem that there's no positive side at all. (His own neighbor, a Harvard magazine employee, didn't recognize him and called the cops. How pathetic is that?)

But last night I happened to be reading a book that put the whole incident into context, a volume that never fails to chill me: “We Charge Genocide,” a petition brought before the U.N. in 1951 that makes a very convincing case for defining the treatment of African-Americans in the U.S. as a genocide. This remarkable book consists, in part, of a litany of shocking bias crimes committed against black citizens across the country — and only documented ones occurring between 1945 to 1950. A typical entry reads: “February 13 — ISAAC WOODWARD, JR., discharged from the Army only a few hours, was on his way home when he had his eyes gouged out in Batesburg, South Carolina, by the town chief of police, Linwood Shull … [A]n all-white jury acquitted Shull after being out for 15 minutes.” And so on, for 50-odd hair-raising pages. Believe me, Toni Morrison couldn’t top it.

More here.

From Wired:

The next time you read a health-related article on Wikipedia, it might have been improved through a new collaboration between the National Institutes of Health and the Wikimedia Foundation. Ten experienced Wikipedia volunteers visited the NIH headquarters in Bethesda, Maryland, last week to train the scientists there on how to use and contribute to the world’s de facto outboard brain. It was the first “Wikipedia Academy” to take place in the United States.

“One of our goals is to increase the scientists’ understanding of Wikipedia and the established practices and procedures that have evolved over the years,” said Frank Shulenberg, who organized the academy as head of public outreach for the Wikimedia Foundation. “They need some instructions about what’s going on and why Wikipedia culture is like it is.” While the subject experts have epigenetics and infectious-disease outbreaks down cold, they don’t really know the complex social dynamics of the site’s thousands of contributors.

More here.

It was distinctly eerie to learn of the death of professor Leszek Kolakowski just 15 minutes before entering a room in which I was to give a short lecture on his influence. But it was also rather inspiring to be in a country that made the passing of a public intellectual into the front-page headline of every national daily paper the following day. The photographs of Kolakowski almost invariably portray a man with a forbiddingly craggy visage, austere to the point of asceticism. Yet he was one of the most engagingly witty people it was possible to meet. And his wit was deployed to puncture every kind of intellectual fraud or imposture. I remember his comment when he heard that Hungarian philosopher Georg Lukacs had said that even the worst socialism was preferable to the best capitalism: “Ah yes, the advantages of Albania over Sweden are self-evident.” He had earned the right to make such pronouncements. An ardent Communist in prewar and wartime Poland (and a sworn foe of the clerical, chauvinist, and anti-Semitic Polish right wing to the end of his days), Kolakowski was shorn of his Stalinism by exposure to its Moscow form on a visit to Russia, and he emerged as the leading “revisionist” Marxist philosopher of the Polish spring of 1956. At that stage, he advocated a form of democratic socialism approximately based on a reading of young—as opposed to late—Karl Marx. But repeated encounters with the obdurate and repressive Communist regime convinced him that the system was essentially beyond reform.

more from Slate here.

Israel did its best to keep me out of the Gaza Strip. Not just me—all international media. For two weeks, we watched from the Egyptian side of Gaza’s southern border as plumes of smoke erupted from around Rafah, and the wounded trickled out, one by one, in battered Palestinian ambulances on their way to intensive care units in Cairo. Finally, in the last week of Operation Cast Lead, something gave, and the Egyptian government unexpectedly opened the gates. I entered Gaza with a few dozen journalists and aid workers on January 16—the day after my twenty-eighth birthday. An armed drone tracked my taxi, plastered with press insignia, through the wasted streets of Rafah, and the ear-splitting sonic booms of strike fighters rattled the windows. The war was no longer a spectacle on the horizon; I was in the kill zone. As I moved north from the heavily bombed neighborhoods near the Egyptian border, targeted for their proximity to Gaza’s illegal tunnel network, toward the epicenter of the Israeli offensive in Gaza City, I was haunted by images of Stalingrad, Dresden, Hué City. Weeks of shelling had left the tiny, teeming enclave a moonscape of flattened homes and ravaged fields.

more from Elliott D. Woods at VQR here.

more from Sign and Sight here.

Mirth at the physical humiliation of another, I was brought up to believe, is unsporting. To see a fellow fall over, to see him take a spill, and then to laugh at him, coarsely and without sympathy – it bespoke, I was always told, a rather bestial level of humor. One did it, of course. One still does it. And one does it with particular energy and application on Wednesday nights, at 8 o’clock, when one watches ABC’s “Wipeout.” Here, it would seem, glowing in the twilight of network television, is your authentic ignoble audience-grabber, your race-to-the-bottom production. “Fear-Factor”-meets-a-Japanese-game-show is the format: 24 contestants in padded vests and helmets taking on “the world’s biggest obstacle course” for a prize of $50,000. Saps. Headcases. “Ordinary men and women.” Hooting and floundering they launch themselves onto huge articles of cushioned, vibrating machinery – the Spiked Fenders, the Trampoline Hurdles – and cling there for ludicrous instants before being tossed into a bath of foam, water, mud, or paint.

more from James Parker at The Boston Globe here.

Robert Wright at The Daily Dish:

My week of guest-blogging at the Dish finds me walking into an animated conversation about Daniel Dennett and the “new atheism”. I’m looking forward to getting into more God talk in the next few days, but for now let me say briefly that: (a) I like this Dish reader’s terminology–‘atheism’ vs. ‘anti-theism’–very much; (b) Last week at the Huffington Post I published an assault on the anti-theist part of the “new atheism”; (c) This assault was so poorly worded, and got so much atheist blowback, that I half-apologized for it here; (d) Dan Dennett can indeed sound intolerant at times, but I think he comes off as pretty open-minded in this several-year-old video exchange between me and him. In the exchange, I’m arguing that maybe natural selection is subordinate to some larger purpose—a purpose imbued by a Deistic God, or maybe by extraterrestrials who seeded our planet a few billion years ago after inventing or refining the algorithm of natural selection, or whatever. Dan starts off very resistant to the idea, but he rolls with the punches and is never dogmatic. Check it out.

Antoni Cimolino in The New Republic:

In “Will Shakespeare's Come and Gone,” John McWhorter recommends that Shakespeare be rewritten for the sake of clarity. He asks, “At what point do we concede that substantial comprehension across the centuries has become too much of a challenge to expect of anyone but specialists?”

Or as Shakespeare more simply put it when one of his characters had trouble understanding a speaker, “Those that understood him smil'd at one another and shook their heads; but for mine own part, it was Greek to me.” As this example shows, Shakespeare can be perfectly clear–in part because he so largely shaped the language we speak today. Countless expressions that he coined have become our “household words.”

There are indeed archaisms in Shakespeare's lexicon (we no longer say “mine own part”), but most of the difficulty we face in comprehending his dialogue has less to do with the passage of time than with the fact that these plays are not exercises in conversational English but dense, complex, and profoundly non-naturalistic dramatic poems.

Imagery, allusion, metaphor, and ambiguity are the poet's stock-in-trade, so it shouldn't surprise us to find that Shakespeare often seems to say more than one thing at a time. Our challenge today is not that we don't receive meaning from his words, but that we receive several meanings, some of them intentionally contradictory.

More here.

From Space.com:

In his 2001 book “Almost History,” which chronicles backup plans, speeches and documents that were never needed, author Roger Bruns details the origins of the Apollo 11 failure speech. They can be traced to astronaut Frank Borman, who commanded the 1968 Apollo 8 mission around the moon, who recommended to Nixon speechwriter William Safire that it would be prudent to have a plan in case the Apollo 11 astronauts suffered a very public demise, Bruns explained.

According to the plan, Bruns added, Nixon would have called the wives of the Apollo 11 astronauts to express his condolences and then give the following speech:

“Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace. These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

“These two men are laying down their lives in mankind's most noble goal: the search for truth and understanding. They will be mourned by their families and friends; they will be mourned by their nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.

More here.

Nonce Words

The road taken
to bypass Cavan
took me west,
(a sign mistaken)
so at Derrylin
I turned east.

Sun on ice,
white floss
on reed and bush,
the bridge-iron cast
in an advent silence
I drove across,

then pulled in,
parked, and sat
breathing mist
on the windscreen.
Requiescat . . .
I got out

well happed up,
stood at the frozen
shore gazing
at rimed horizon,
my first stop
like this in years.

And blessed myself
in the name of the nonce
and happenstance,
the Who knows
and What nexts
and So be its.

by Seamus Heaney

from District and Circle;
Farrar, Straus, and Giroux, NY, 2006

From Scientific American:

David Liu is a technology entrepreneur in San Francisco. He has helped found several start-ups to market products he has developed, including those stylus pens the UPS driver hands you to sign for your packages. But even as he dreams up new inventions, an ongoing patter in his head objects that they are stupidly obvious. And despite his accomplishments, Liu teeters on a mental precipice: “It feels shameful, like, hey, I’m in my early 30s, I should have had a Yahoo by now—or I should at least have had a company I sold for tons of money.”

Liu is a perfectionist, someone who demands utmost excellence from himself, an expectation that can lead to fear of failure and reflexive self-criticism. Even when he is doing well, Liu has trouble feeling good about himself. “It’s so habitual, the beating-myself-up part,” he says. Perfectionists, research shows, can become easily discouraged by failing to meet impossibly high standards, making them reluctant to take on new challenges or even complete agreed-upon tasks. The insistence on dotting all the i’s can also breed inefficiency, causing delays, work overload and even poor results. Perfectionism can hurt health and re­lationships, too. It is associated with anorexia, obsessive-compulsive disorder, social anxiety, writer’s block, alcoholism and depression. Such problems may be prevalent: a 2007 study that evaluated more than 1,500 college students revealed that nearly one quarter of them suffered from an unhealthy form of perfectionism.

And yet in recent years, some psychologists have amassed evidence suggesting that perfectionism encompasses positive qualities, including a drive to succeed, an inclination to plan and organize, and a focus on excellence. Why else would people brag about the trait in job interviews?

More here.

Kenneth Chang in The New York Times:

Ever since Samuel Heinrich Schwabe, a German astronomer, first noted in 1843 that sunspots burgeon and wane over a roughly 11-year cycle, scientists have carefully watched the Sun’s activity. In the latest lull, the Sun should have reached its calmest, least pockmarked state last fall. Indeed, last year marked the blankest year of the Sun in the last half-century — 266 days with not a single sunspot visible from Earth. Then, in the first four months of 2009, the Sun became even more blank, the pace of sunspots slowing more. “It’s been as dead as a doornail,” David Hathaway, a solar physicist at NASA’s Marshall Space Flight Center in Huntsville, Ala., said a couple of months ago.

The Sun perked up in June and July, with a sizeable clump of 20 sunspots earlier this month. Now it is blank again, consistent with expectations that this solar cycle will be smaller and calmer, and the maximum of activity, expected to arrive in May 2013 will not be all that maximum. For operators of satellites and power grids, that is good news. The same roiling magnetic fields that generate sunspot blotches also accelerate a devastating rain of particles that can overload and wreck electronic equipment in orbit or on Earth.

More here.

Andro Wekua. Get Out of My Room. 2008

More on this Georgian artist here, here and here.