Captive Minds, Then and Now

Milosz_czeslaw-19810625.2_gif_230x479_q85 Tony Judt in the NYRB blog:

[Czeslaw] Milosz was born in 1911 in what was then Russian Lithuania. Indeed, like many great Polish literary figures, he was not strictly “Polish” by geographical measure. Adam Zagajewski, one of the country’s most important living poets, was born in Ukraine; Jerzy Giedroyc—a major figure in the twentieth-century literary exile—was born in Belarus, like Adam Mickiewicz, the nineteenth-century icon of the Polish literary revival. Lithuanian Vilna in particular was a cosmopolitan blend of Poles, Lithuanians, Germans, Russians, and Jews, among others (Isaiah Berlin, like the Harvard political philosopher Judith Shklar, was born in nearby Riga).

Raised in the interwar Polish republic, Milosz survived the occupation and was already a poet of some standing when he was sent to Paris as the cultural attaché of the new People’s Republic. But in 1951 he defected to the West and two years later he published his most influential work, The Captive Mind. Never out of print, it is by far the most insightful and enduring account of the attraction of intellectuals to Stalinism and, more generally, of the appeal of authority and authoritarianism to the intelligentsia.

Milosz studies four of his contemporaries and the self-delusions to which they fell prey on their journey from autonomy to obedience, emphasizing what he calls the intellectuals’ need for “a feeling of belonging.” Two of his subjects—Jerzy Andrzejewski and Tadeusz Borowski—may be familiar to English readers, Andrzejewski as the author of Ashes and Diamonds (adapted for the cinema by Andrzej Wajda) and Borowski as the author of a searing memoir of Auschwitz, This Way for the Gas, Ladies and Gentlemen.

But the book is most memorable for two images.



Torturing journalistic ethics

Our own Kris Kotarski in The Vancouver Sun:

Waterboarding-2 It is not often that one can pinpoint the moment that a person, an organization or a profession loses its moral compass but, thanks to a study released by Harvard's Joan Shorenstein Center on the Press, Politics and Public Policy this April, we know that 2004 was the year that four of America's largest newspapers lost theirs.

The study, entitled Torture at Times: Waterboarding in the Media, details the use of the word “torture” by the New York Times, the Los Angeles Times, the Wall Street Journal and USA Today over the past 100 years when describing waterboarding, a form of torture made familiar by its use by American interrogators after 2002.

The study found that “for more than 70 years prior to 9/11, American law and major newspapers consistently classified waterboarding as torture.”

“From the early 1930s until the modern story broke in 2004, the newspapers that covered waterboarding almost uniformly called the practice torture or implied it was torture: The New York Times characterized it thus in 81.5 per cent (44 of 54) of articles on the subject and The Los Angeles Times did so in 96.3 per cent of articles (26 of 27). By contrast, from 2002-2008, the studied newspapers hardly ever referred to waterboarding as torture.”

More here.

Tuesday Poem

How it Adds Up
…………………..
There was the day we swam in a river, a lake, and an ocean.

And the day I quit the job my father got me.
And the day I stood outside a door,
and listened to my girlfriend making love
to someone obviously not me, inside,
and I felt strange because I didn’t care.
There was the morning I was born,
and the year I was a loser,
and the night I was the winner of the prize
for which the audience applauded.
Then there was someone else I met,
whose face and voice I can’t forget,
and the memory of her
is like a jail I’m trapped inside,
or maybe she is something I just use
………………………… to hold my real life at a distance.
…………………………..
Happiness, Joe says, is a wild red flower
………………… plucked from a river of lava
and held aloft on a tightrope
……………….. strung between two scrawny trees
above a canyon
……………….. in a manic-depressive windstorm.
Don’t drop it, Don’t drop it, Don’t drop it—,
And when you do, you will keep looking for it
everywhere, for years,
while right behind you,
the footprints you are leaving
will look like notes
…………………….. of a crazy song.

by Tony Hoagland
from What Narcissism Means to Me
Graywolf Press, Saint Paul, Minnesota, 2003

Hugh Trevor-Roper: the Biography

From The Telegraph:

Trev At a house party at Boughton in the early Fifties, the publisher Jamie Hamilton and his wife encountered Hugh Trevor-Roper. “We found ourselves wondering if one so young and gifted ought to spend quite so much time hating people,” Hamilton reported back to the art historian Bernard Berenson. “He has hardly a charitable word for anyone, and seems to relish the discomfiture even of those he is supposed to like. A strange mixture, and rather a frightening one.”

But also an irresistible one. We are in the midst of a Trevor-Roper revival. Since his death in 2003, much of Lord Dacre’s arsenal of unfinished essays and biographies has finally come into print – alongside his stunning correspondence with Berenson, Letters from Oxford, edited by Richard Davenport-Hines. His was a compelling 20th-century life, complete with an enviable array of walk-on parts from Katharine Hepburn and Anthony Blunt to Zulfikar Ali Bhutto, President of Pakistan. But what Adam Sisman’s new biography, for all its scholarship and detail, fails to provide is the convincing answer for Trevor-Roper’s claims as one of our greatest historians.

More here.

How Microbes Defend and Define Us

Carl Zimmer in The New York Times:

DRKhoruts Dr. Alexander Khoruts had run out of options. In 2008, Dr. Khoruts, a gastroenterologist at the University of Minnesota, took on a patient suffering from a vicious gut infection of Clostridium difficile. She was crippled by constant diarrhea, which had left her in a wheelchair wearing diapers. Dr. Khoruts treated her with an assortment of antibiotics, but nothing could stop the bacteria. His patient was wasting away, losing 60 pounds over the course of eight months. “She was just dwindling down the drain, and she probably would have died,” Dr. Khoruts said. Dr. Khoruts decided his patient needed a transplant. But he didn’t give her a piece of someone else’s intestines, or a stomach, or any other organ. Instead, he gave her some of her husband’s bacteria. Dr. Khoruts mixed a small sample of her husband’s stool with saline solution and delivered it into her colon. Writing in the Journal of Clinical Gastroenterology last month, Dr. Khoruts and his colleagues reported that her diarrhea vanished in a day. Her Clostridium difficile infection disappeared as well and has not returned since.

The procedure — known as bacteriotherapy or fecal transplantation — had been carried out a few times over the past few decades. But Dr. Khoruts and his colleagues were able to do something previous doctors could not: they took a genetic survey of the bacteria in her intestines before and after the transplant. Before the transplant, they found, her gut flora was in a desperate state. “The normal bacteria just didn’t exist in her,” said Dr. Khoruts. “She was colonized by all sorts of misfits.” Two weeks after the transplant, the scientists analyzed the microbes again. Her husband’s microbes had taken over. “That community was able to function and cure her disease in a matter of days,” said Janet Jansson, a microbial ecologist at Lawrence Berkeley National Laboratory and a co-author of the paper. “I didn’t expect it to work. The project blew me away.”

More here.

quantum crap

Sch

Quantum theory is known largely for being unknown — known, in other words, for how it departs from the world of common experience, how it cannot be explained or grasped, how it defies reason and intuition, and how it toys with the laws of classical physics. It is a science of head-scratching. Matter appears in two places at once. Light acts as a wave and a particle (both, and neither). Multiple possibilities superimpose on the same moment. Particles separated by miles seem directly connected. Electrons seem to act differently when they are watched up close. For most of us, these bewilderments must be taken nearly as an article of faith, bolstered by the men and women of science who explain the phenomena with broad strokes and clever thought experiments. To refine these illustrations into the actual theory is to point down a path — out of the cave, up the mountain, down the rabbit hole; take your pick — that few can follow. As a consequence, the fact that the universe is so mysterious has been more influential in popular culture than any of the particular mysteries that scientists have described. What has been really compelling is the credibility quantum physics lends to the bizarre. Nearly any pseudo-scientific craziness can seem to fall under the field’s umbrella by virtue of the gap separating it from common sense.

more from Jeremy Axelrod at The New Atlantis here.

back to Zimbabwe

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The knees of the soldier from the Presidential Guard are pressing against my spine through the driver’s seat. When he shifts his position they roll across my back like the mechanism of an airport massage chair. It’s ten years since I first came to Zimbabwe. Back then I was on the trail of my great, great uncle, a maverick missionary called Arthur Cripps. For the last week on this return trip I’ve been staying in the Eastern Highlands with Arthur’s granddaughter, Mazzy Shine, a retired British paediatric nurse who’s come to Zimbabwe to set up a children’s home. We’re making the three-hour drive back to Harare in Mazzy’s car, a white four-door Toyota Starlet. Mazzy sits in the passenger seat next to me wearing a baseball cap, white T-shirt, combat trousers and bright red lipstick. Smoking a Winston cigarette out of the open window, she talks excitedly between draws about her plans for being back in the city – chasing down a hairdresser who owes her a haircut, being able to Skype and email again, having drinks with friends at the Book Cafe. The road ahead of us, straight and undulating, hazes into the distance between a scrubland veld scattered with msasa and acacia trees. Occasionally we pass an ancient bus offloading its passengers or an expensive-looking Mercedes or BMW will overtake us to speed away between the bottle stores and kraals of mud and brick rondavels.

more from Owen Sheers at Granta here.

nussbaum on the veil

MarthaNussbaum

In Spain earlier this month, the Catalonian assembly narrowly rejected a proposed ban on the Muslim burqa in all public places — reversing a vote the week before in the country’s upper house of parliament supporting a ban. Similar proposals may soon become national law in France and Belgium. Even the headscarf often causes trouble. In France, girls may not wear it in school. In Germany (as in parts of Belgium and the Netherlands) some regions forbid public school teachers to wear it on the job, although nuns and priests are permitted to teach in full habit. What does political philosophy have to say about these developments? As it turns out, a long philosophical and legal tradition has reflected about similar matters. Let’s start with an assumption that is widely shared: that all human beings are equal bearers of human dignity. It is widely agreed that government must treat that dignity with equal respect. But what is it to treat people with equal respect in areas touching on religious belief and observance? We now add a further premise: that the faculty with which people search for life’s ultimate meaning — frequently called “conscience” ─ is a very important part of people, closely related to their dignity. And we add one further premise, which we might call the vulnerability premise: this faculty can be seriously damaged by bad worldly conditions.

more from Martha Nussbaum at The Opinionater here.

Monday, July 12, 2010

How Supermodels Are like Toxic Assets

by Ashley Mears

225px-Coco_Rocha_in_Bill_Blass_by_Peter_Som_February_2008,_Photographed_by_Ed_Kavishe_for_Fashion_Wire_Press

(Photo: Coco Rocha in Bill Blass by Peter Som February 2008, Photographed by Ed Kavishe for Fashion Wire Press, and is licensed under creative commons.)

In 2002, a tall and skinny 14-year old girl competed in a dance contest in Vancouver, Canada. There she encountered a modeling agent, who asked her to consider going out for modeling jobs. Today, the 22-year-old Coco Rocha is celebrated as a “supermodel” (however little of its glamazon power the term retains these days), appearing on covers of Vogue and i-D magazines, on catwalks from Marc Jacobs to Prada, and as the star face for Dior, H&M, and Chanel. You might not recognize her name, but the chances are you’ve seen Coco Rocha in the past few years.

Coco is what economists would call a winner in a “winner-take all market,” prevalent in culture industries like art and music, where a handful of people reap very lucrative and visible rewards while the bulk of contestants barely scrape by meager livings before they fade into more stable and far less glamorous careers. The presence of such spectacular winners like Coco Rocha raises a great sociological question: how, among the thousands of wannabe models worldwide, is any one 14 year-old able to rise from the pack? What makes Coco Rocha more valuable than the thousands of similar contestants? How, in other words, do winners happen?

The secrets to Coco’s success, and the dozens of girls that have come before and will surely come after her, have much less to do with Coco the person (or the body) than with the social context of an unstable market. There is very little intrinsic value in Coco’s physique that would set her apart from any number of other similarly-built teens—when dealing with symbolic goods like “beauty” and “fashionability,” we would be hard pressed to identify objective measures of worth inherent in the good itself. Rather, social processes are at work in the fashion modeling market to bequeath cultural value onto Coco. The social world of fashion markets reveals how market actors think collectively to make decisions in the face of uncertainty. And this social side of markets, it turns out, is key to understanding how investors could trade securities backed with “toxic” subprime mortgage assets leading us into the 2009 financial crisis.

Read more »

Moral Dilemmas

ScreenHunter_01 Jul. 12 15.16 Moral philosophers spend a good bit of their time reflecting on what they call moral dilemmas. It is not entirely clear—nothing in philosophy is ever entirely clear—how to characterize them. But the usual course is to consider a case in which an agent is faced with two courses of action, only one of which can be chosen, and are such that there seem to be compelling reasons for each choice. By itself this would seem to be just a hard case; one in which the reasons are roughly equivalent and it is difficult to tell which set of reasons is stronger. But some philosophers claim that the situation can be much worse than this. It can be the case that the reasons are such that neither set over-rides the other. Or at least that with resources available for thought we cannot make such a determination. A consequence of this is supposed to be that no matter what we do we will be doing something wrong or failing to do something that we are required to do.

Examples abound in the literature. Sartre’s case of the student who wants to join the resistance but has an aging mother who lives with, and depends, on him. Sophie’s Choice to pick which of her two children will be killed by the Nazi concentration camp guard. If she refuses to pick one , both will be killed. Recently, I ran across a book—The Lone Survivor—which is an account of a group of Navy Seals on a mission in Afghanistan told by the only survivor of a failed mission. It presents an account of a moral choice that this group of four men had to make. The case is interesting to think about since it raises a number of different issues which are relevant to the theoretical notion of a moral dilemma, as well as the practical issue of how to think about such difficult and terrible choices.

The four men set out on a mission to try and locate a local Taliban leader – the head of a heavily armed group of Taliban. They do not know what village he is in so plan to remain concealed in some appropriate spot on a sparsely covered high-up mountain until they spot him and attempt to kill him. They discover such a spot and remain concealed, and still, for many hours in the hot sun. If they are spotted from above they are dead ducks. But the area above them seems completely empty. After many hours they hear a noise of soft footsteps above them and a man, wearing a turban and carrying an ax almost stumbles over them. They point their rifles at him and tell him to sit down when suddenly a flock of goats comes trotting up the mountain accompanied by two other men–more precisely one man and a boy around fourteen years old. All three men are distinctly unfriendly—which might be explained by discovering a heavily armed group of soldiers camped out on their farm.

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Cadmium

ScreenHunter_02 Jul. 12 15.52 When I set out to write a book on all the great and hidden stories on the periodic table, I figured I’d have to delve into some strange and uncomfortable history. There was the inevitable brush with the alchemists, and humankind’s almost instinctual lust for gold and silver. I even ended up mapping out the elements on the periodic table, to reflect the intellectual currents of the past few centuries. What I didn’t expect was how relevant all that history would seem today, how often the same themes would come up again and again in current events and the news. But if it’s anything, the periodic table is still a microcosm for understanding all the wonderful and horrible things about the world.

I had reason to think of this last month when McDonalds recalled over 13 million Shrek-themed drinking glasses after discovering in them high levels of cadmium, element forty-eight. Cadmium can undoubtedly be one of the most beautiful elements—it has a long history in art as a pigment, and helped old masters produce vibrant colors no other substances of the time could. Even today, some shades—like cadmium yellow—retain the name.

But as the famous biologist Edward O. Wilson once said “In the natural world, beautiful usually means deadly.” Wilson was referring to how the brightest colored snakes, frogs, and insects usually harbor the deadliest venoms. But his wisdom applies equally well to the periodic table. Cadmium is one of the more poisonous elements on the table, and has one of its most notorious histories. Yet we keep making the same mistakes with it again and again. In fact, the first widespread recall of consumer goods with cadmium also involved drinking glasses. (Plus ça change…)

Cadmium sits below zinc on the periodic table, which means pure cadmium looks and acts like zinc, including having the same shiny finish as zinc. So, in the 1940s, some manufacturers decided to plate drinking glasses with cadmium and sell them in department stores.

This was bad enough—some atoms of cadmium would naturally slough off every time somebody filled the glass—but became a big problem when summer rolled around and people began drinking fruit juices like lemonade. These acidic juices scraped cadmium atoms off the cup’s surface in droves, and people around America fell ill with intense pain and diarrhea. McDonalds didn’t line its Shrek glasses with cadmium—it was used in the brightly colored paints on the outside, calculated to attract children’s attentions. But in recalling the line, the fast-food company cited the same fear of children ingesting cadmium while they drank.

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A Diatribe from the Remains of Dr. Fred McCabe

by Daniel Rourke

About a month ago in handling the remains of one Dr. Fred McCabe I found rich notes of contemplation on the subject of information theory. It appears that Fred could have written an entire book on the intricacies of hidden data, encoded messages and deceptive methods of transmission. Instead his notes exist in the form of a cryptic assemblage of definitions and examples, arranged into what Dr. McCabe himself labelled a series of ‘moments’.

I offer these moments alongside some of the ten thousand images Dr. McCabe amassed in a separate, but intimately linked, archive. The preface to this abridged compendium is little capable of preparing one for the disarray of material, but by introducing this text with Fred’s own words it is my hope that a sense of the larger project will take root in the reader’s fertile imagination.

The Moment of the Message: A Diatribe

by Dr. Fred McCabe

More than ten thousand books on mathematics and a thousand books on philosophy exist for every one upon information. This is surprising. It must mean something.

I want to give you a message. But first. I have to decide how to deliver the message.

This is that moment.

I can write it down, or perhaps memorise it – reciting it in my head like a mantra, a prayer chanted in the Palace gardens. And later, speaking in your ear, I will repeat it to you. That is, if you want to hear it.

I could send it to you, by post, or telegram. After writing it down I will transmit it to you. Broadcasting on your frequency in the hope that you will be tuned in at the right moment. Speaking your language. Encoded and encrypted, only you will understand it.

I have a message for you and I want you to receive it. But first. I have to decide what the message is.

This is that moment:

This is the moment of the message

From the earliest days of information theory it has been appreciated that information per se is not a good measure of message value. The value of a message appears to reside not in its information (its absolutely unpredictable parts) but rather in what might be called its redundancy—parts predictable only with difficulty, things the receiver could in principle have figured out without being told, but only at considerable cost in money, time, or computation. In other words, the value of a message is the amount of work plausibly done by its originator, which its receiver is saved from having to repeat.

This is the moment my water arrived at room temperature

The term enthalpy comes from the Classical Greek prefix en-, meaning “to put into”, and the verb thalpein, meaning “to heat”.

For a simple system, with a constant number of particles, the difference in enthalpy is the maximum amount of thermal energy derivable from a thermodynamic process in which the pressure is held constant.

This is the moment the wafer became the body of Christ

The Roman Catholic Church got itself into a bit of a mess. Positing God as the victim of the sacrifice introduced a threshold of undecidability between the human and the divine. The simultaneous presence of two natures, which also occurs in transubstantiation, when the bread and wine become the body and blood of Christ, threatens to collapse the divine into the human; the sacred into the profane. The question of whether Christ really is man and God, of whether the wafer really is bread and body, falters between metaphysics and human politics. The Pope, for all his failings, has to decide the undecidable.

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Tomyris

Deadfish

By Maniza Naqvi

When the sun sets over the river turning its waters the color of molten gold and then liquid black, like the uninterrupted, robust, gush that flows at the gas pump— then, —when you are alone in the confused maze of your thoughts of hatred and hubris –then— now that you have time on your hands, to fish, does the writing of a story occupy you? Because you would need to tell it won’t you? Sentence it in the way you want to? Flesh out the outlines of yet another murder most foul? Surely you do. Now that you have the perfect view for it: of a place where the hangman’s noose brought its cruel justice for the punishment of an assassin’s crime. Do you wonder about the quakes, the spewing of ash and how the earth has shuddered? Author of assassinations, do you hear the sound of anguish carried to you on the evening breeze as the earth stirs and the waters gurgle? It is a mother’s grief and a mother’s wrath. When the waters turn black, she weeps: This is my body, this is my blood. Now you in your defeat, weep, now you suffer. Do you hear her? It is Tomyris sending you a message. Do you know her? How could you? For you have always defended empire—not those who have fought against it.

Tomyris the queen of the Massagetae lived with her people in her homeland north of the Amu Darya. In 530 B.C Cyrus the Great prepared to occupy her lands and as a pretext offered to marry her. She turned him down. What need was there for marriage? The Massagetae held as sacred the secret of nature: they understood the intricate connection between individual choice and advantage to society. Each woman had one husband, but she slept with anyone of her choosing.

Upon her refusal, his ruse made useless, Cyrus prepared to attack and invade the Massagetae. A messenger carried her warning to him: “King of the Medes, cease to press this enterprise, for you cannot know if what you are doing will be of real advantage to you. Be content to rule in peace your own kingdom, and bear to see us reign over the countries that are ours to govern’. His-story tries to erase them—the warriors the defenders the defeaters of blood thirsty cruel men.

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KAREN SWENSON’S TREK THROUGH POETRY AND THE WIDE WORLD

by Randolyn Zinn

SwensonThis past spring I arranged to meet Karen Swenson at The Century Club in Manhattan. As I climbed McKim, Mead and White’s splendid marble Beaux Arts staircase to the second floor, I saw her sitting at the far side of the library, catching up with The New York Times. Her long braid was wound in a tight chignon and she was dressed in red from head to toe—a chic wrap dress, tights and shoes to match, even her self-designed down coat was tinted a rich cerise. I thought, is this the same woman who leads Southeast Asian treks in sneakers and corduroys two months out of each year for the last 27?

A native New Yorker, Karen told me she was in town only briefly before winging off to Europe, having recently sold her Manhattan apartment. Her fondest wish was to relocate to a city boasting an opera house and a major airport. Two contenders remained: Venice and Barcelona (the eventual winner).

Her poems have been published by The New Yorker and many literary journals, as well as Saturday Review. Her latest book, her fifth, is entitled A PILGRIM INTO SILENCE. Because she is a world traveler, articles on the subject of sojourning have been enjoyed by those who read The New York Times and the Wall Street Journal. Recently she has taught at both her alma maters, Barnard and NYU.

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Impressions of Karachi: A Photo Journal

Tandoor owner

Greetings from sweltering Karachi,

As some of you know, I am spending the summer in Karachi. It's my first trip to the city of my birth in almost six years, and I've already been here a little over three weeks now. Here are a few things, picked rather arbitrarily, which I find to be very much the same as always:

  1. The sounds of rickshaws, scooters, street-vendors hawking stuff in a loud and crisp tone particular to their trade, a variety of birds (especially the quarking of crows), truck horns, the hammering of workmen, and other voices and noises which combine with the dusty smell to produce an ever-present aural/olfactory ambience so typical of Karachi that I am aware I am home when I awaken in the morning even before I open my eyes.
  2. The heat and the humidy: though by northeast-American standards it is quite extreme (many Pakistanis living in the West never return in May or June, so infernal are their memories of the blistering weather, and many such people asked me if I had lost my mind when they heard I was planning to arrive in Karachi a week before the summer solstice), I instantly found the weather comforting in a nostalgic way. Yes, both the heat and humidy are always there, but then they were always always-there when I lived here, and I am used to it. And we didn't have air-conditioning when I was growing up. We do now, at least for the hours that we have electricity (it cuts out 3-4 hours a day usually, sometimes more). The humidity is such that one almost swims through the air and one is drenched in sweat within a minute of stepping out of the shower, so it is a race to dry oneself quickly and step out of the fanless bathroom into the fanful bedroom before dressing. The ceiling fans here, by the way, are to ceiling fans in, say, your summer place in the Hamptons, what the jet engine of a Boeing 747 is to the propeller of a Cessna 172. If you had them in New York, you could blow-dry your hair into an early-Beatles mop in 45 seconds flat just by standing under one. Here, of course, one remains covered in a slimy film of dusty sweat even in the wind-tunnel-like conditions these fans generate. Heat rashes are common, and my lower legs are always itchy. Speaking of which, the best thing about extreme heat is that it keeps the mosquitos at bay. But, unfortunately, I know they are busy preparing for a massive assault and invasion in late July and August, just after the rains.
  3. The food is the same but I had forgotten just how good it is. Actually “good” doesn't even begin to describe the paradisiacal gustatory delights on offer both at home (I am staying with my brother) and in restaurants here. In America everything new is said to taste like chicken but this is a ludicrous formulation because even chicken doesn't taste like chicken there. Here, chicken actually has a flavor, and it tastes like, well, chicken. Fruits and vegetables are all organic, small in size, have spots where they are starting to become overripe (because they are not bred to look good or ripened in refrigerated trucks on the way to the supermarket) and bursting with what seems to my long-deprived palate to be concentrated flavor. I was shocked to remember what a carrot is supposed to taste like, for example (not like cardboard, which is what you must think, you poor people). In terms of sophistication, Pakistani cuisine is to Italian what Nabokov is to Dr. Suess. Sorry, that's just how it is. (There are ten aromatic spices alone–not counting other kinds of spice and other ingredients–which go into a commonly eaten chicken curry.) The lovely smell of fresh and hearty naan coming out of any tandoor here instantly brings to my mind the futile desperation with which fancy bakeries like Bouchon cater to the pretentious of Manhattan, and how much I hate such effete gourmandizing.
  4. I notice that without meaning to, or even realizing it, I have started cataloguing the effects of Karachi on all the senses, so I might as well mention the light: Karachi is just above the tropic of cancer, so the sun is only one-and-a-half degrees from completely vertically overhead near noon on June 21st, which results in a light the strength of which is literally stunning. To get a sense of it, turn the brightness knob on your TV (well, it probably isn't a knob, unless you have a pre-1980s TV, but you know what I mean) to max. That's what it looks like outside over here. Without sunglasses I get a headache in minutes. Heat stroke is a real risk of venturing outdoors in the afternoon. In general, the sun is a much angrier, less benign presence in these parts. In Urdu poetry sunshine is quite understandably a metaphor for adversity and difficulty, while the rainy season is romanticised into a symbol of joy and relief (from the sun). The light is very starkly beautiful though.
  5. The traffic: while an enormous number of improvements have been made in the roadways, including the construction of many under- and overpasses, new roads, bridges, and installation of traffic lights and road signs, they have been overwhelmed by the even greater increase in the number of cars, trucks, buses, minibuses, vans, rickshaws, motorcycles, scooters, and unimaginable vehicles of types beyond my humble powers of description–not to mention the crowds of pedestrians swarming orthogonally across the streets everywhere (Karachi has more people than all of Israel and Switzerland combined, and also more than the next five-largest cities in Pakistan combined. In fact, it's larger than 160 of the world's 200-and-some countries). In other words, the traffic is still the same. Oddly enough, and possibly because I first learned to drive in Karachi at the age of 14, I feel very comfortable driving here. Traffic here flows much like the cells in blood vessels: chaotically but efficiently. Driving here is relaxing in a bizarre way, because it's so unencumbered by stultifying rules of any kind. Instead, one guides one's car toward one's destination using the sort of natural proprioceptive sense that one uses to guide one's own body through a crowd. And having the driver's seat on the right side of the car somehow automatically cues one to drive on the left side of the road (a vestige of British colonial days) so that's not a problem either.

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Sunday, July 11, 2010

Last Words

80793427_8_jpg_270x568_q85Charles Simic over at the NYRB blog:

The first instance of capital punishment on record in America was the shooting in colonial Virginia of George Kendall, accused of plotting to betray the British to the Spanish. If he had any parting quips, they were not written down. We have to wait for the execution of two Quakers, Marmaduke Stevenson and William Robinson, fifty years later, on October 27, 1659, for an account of the last words of the condemned. As one would expect, the two men, who were convicted and hung for disobeying banishment from the Massachusetts Bay Colony, reaffirmed their faith in God and reminded the spectators to mind the light that shone within them. Since then, as Last Words of the Executed, an enthralling book by Robert K. Elder, amply documents, there have been over sixteen thousand executions in this country and a vast record of final pronouncements taken from prison records, eyewitness statements, newspaper accounts, period diaries and written statements. Some of these are credibly attributable to the executed while others are of questionable origin or indisputably redacted.

Why this enormous interest in the final thoughts of men and women who were often guilty of committing horrific crimes? It must be the same morbid curiosity that brought huge crowds of Americans to public executions in the seventeenth, eighteenth, and nineteenth centuries. Many considered these grim occasions so much fun they brought their families along. The spectators didn’t mind if the hanging they were watching was botched and the condemned struggled choking for a long while at the end of the rope, or if his body dropped headless to the ground, and greeted such horrors with “rude jests” and “rabid laughter.” They expected, as part of the program, to hear a public admission of guilt, expression of remorse, appeal for forgiveness from God and the assembled, and a warning about the evils of booze and company of loose women. They were rarely disappointed.