Our Own Private Waste Lands

by Shawn Crawford

T. S. Eliot. Poet. Nobel laureate. Cheese maven.

If T.S. Eliot’s “The Waste Land” is the sacred text of Modernist poetry (With Joyce’s Ulysses the sacred novel), then his essay “Tradition and the Individual Talent” provides the theology to interpret and understand the poem’s byzantine lines and obscure references. How we pored over both, seeking to fathom the mysteries locked inside.

For a Kansas kid raised in a strict Baptist home, the delight of not only reading literature but being surrounded by others with the same desire, cannot be adequately described. “What are you going to do with an English degree?” people would always ask. I knew exactly: I was going To Know, to master the most beautifully written words–the ones that gave me an electric thrill and transcended my shyness and fears—words that provided a solace from the nagging worry about the disposition of my eternal soul. Those words offered salvation of an entirely different kind than the Bible.

Eliot seemed to offer up the perfect life; like many converts to a new religion or culture, he became more British than the British. He had achieved inclusion in the Norton Anthology of English Literature as well as the American Literature anthology. Eliot’s family came from St. Louis, and he was born there. My girlfriend’s family lived in St. Louis. Shocking. Unlike Ezra Pound, who always played with a bumpkin persona he called Uncle Ez, Eliot worked to obliterate all traces of his American identity.

How could he achieve this as an artist, and in his case, as a person? Read more »

The Social Aspects of Illness

by Joan Harvey

Like most people of a certain age, at any one time I have the unfortunate experience of knowing several people, some close, some not, who have cancer. It has become standard for the friend or spouse of the ill person to join one of the many message boards devoted to the subject and post updates to keep their friends and relatives informed. Others use Facebook to share information. Currently there are three people whose lives I follow, mostly from a distance, all with serious forms of cancer, one newly diagnosed but metastasized, two others who have been fighting for months and months.

I began to think more about the social aspects of illness when today’s usual protocol was not followed. It’s a truism to say we often notice things more in their absence, and it was the lack of shared information when someone I cared for was dying that made me aware how accustomed we are to being included in the progress (or lack thereof) of the cancer patient and how we come to depend on receiving a steady stream of updates on the ill. When this doesn’t happen and we aren’t notified of all the steps toward healing or death along the way, we feel cut off, and this can create a sense of deprivation. Read more »

World Enough and Time

by Samia Altaf

“Let’s go look at the flowers outside,” I say, as I sense Dad sinking into the recesses of his fading memory. I wheel him out. Look at the petunias. What a riot—purple, pink, white, that ordinary pedestrian flower in such abundant glory. I hold a bunch to his nose and he takes a deep breath. “Wow,” he says, and opens his eyes. The misty and faraway look hits me hard. It is like looking inside a bombed-out building that has few windows left intact and very little light. But he tries, never having been one to give up; he blinks shortsightedly at the greenery, the flowers, and the blue sky, and shakes his head at the wonder of it all—and of him being there in the middle of it. He struggles to say something but gives up halfway—words too have faded. “Wow,” he says again.

Dad has steadily and imperceptibly lost all memory to Alzheimer’s. Memories of his children, friends, family, his wife now gone. Only shards of crystallized knowledge—encoded so deeply—remain beyond the cognitive deterioration, He recognizes the simple beauty of flowers, they are still real. We look at the yellow rose bush, the petunias and the marigolds, this lovely spring evening. His face lights up. “Wow,” he says, over and over. And then: “I have these in my house” and “when will I go there?” He asks, a complete sentence, and looks anxiously at me, his brow scrunched with a look fit to break your heart. That he remembers—his house and the feeling of wanting to go there. One he had to leave when he and mom got to be too sick to live on their own. Do memories plague his ears, like flies?

“Do memories plague their ears like flies?

They shake their heads. Dusk brims the shadows.

Summer by summer all stole away,

The starting gates, the crowds and cries.”

(Philip Larkin)

Read more »

The Enlightened Luddite

“Luddite” is a word that is thrown around a lot these days. It signifies someone who is opposed to technological progress, or who is at least not climbing on board the technological bandwagon. 21st century luddites tend to eschew social media, prefer presentations without PowerPoint, still write cheques, and may even, in extreme cases, get by without a cell phone. When used in the first person, “luddite” is often a badge of honour. “I’m a bit of a luddite,” usually means “I see through and am unimpressed by the false promise of constant technological novelty.” Used in the third person, though, it typically suggests criticism. “So-and-so’s a bit of a luddite,” is likely to imply that So-and-so finds the latest technology confusing and has failed to keep up with it, probably due to intellectual limitations.

The original Luddites were English textile workers in the Midlands and the North who organized themselves in secret and destroyed machines in the newly established factories and mills. They were called “Luddites” after their fictitious leader, “General Ludd.” Peak Luddism occurred around 1812-1813, although there were incidents of machine breaking before and after then. The most notable of these were the Swing riots that swept across parts of Southern England in 1830 when impoverished agricultural labourers, sometimes carrying out threats issued by the fictitious Captain Swing, smashed threshing machines, burned barns, and demanded higher wages.

A common view today of these machine-breakers in the early stages of the industrial revolution is that they represent a clearly futile attempt to block technological innovation. One can sympathize with their plight, of course. Weavers who were proud of skills they had spent years mastering could now be replaced by relatively unskilled workers operating the new machines. Agricultural labourers who counted on threshing with hand flails for several months of employment following the harvest now faced winters without work or wages. But the times they were a-changing. Quite simply, the new methods of production could produce much more in less time and at lower cost. Trying to halt progress of this sort is as pointless as ordering back the tide. Resistance is futile.

But this view of the people who smashed stocking looms and threshing machines is oversimplified and somewhat unjust. It also carries some questionable ideological freight. Let me explain. Read more »

Sparrows in Winter

by Liam Heneghan

The traffic had been slow all day but by four pm, it was reduced to a trickle. Those cars that passed him on the street did so in two and threes as if they were sticking together for safety like lumbering animals caught out in a storm. It was, in fact, a very harsh winter day. The afternoon temperatures dipped well below zero: one of the coldest days ever recorded in Chicago. The only sounds now were from an occasional plane passing overhead, and from distant cackling from those venturesome neighbors who had left snug homes to experience the cold. He could hear the sound of his feet crunching through the snow.

The husband and wife had left the house to drop off a bag of groceries to a nearby homeless shelter. Peanut butter, cans of peaches, mandarin oranges in a light syrup, crackers, nuts, and so on: things that people accumulate in abundance for emergencies that rarely materialize. He stepped out of the car to drop off the goods, and walked down the short flight of stairs into a reception area in the basement of the church. The volunteer welcomed him with gusto; she had said “Welcome”, rather grandly, and looked at him expectantly. She seemed confused when he extended his shopping bag. “Donations,” he said. “Ah…!” she replied as she realized that he would not be staying. Another volunteer elaborately produced a receipt and he was required to jot down the list of items he was leaving behind. He found that he could not remember all the items, and made a few of them up.

As he left the shelter, he suppressed a smile and once back in the car he and his wife laughed at the confusion as she drove them away. It seemed like the sort of thing that always happened to him. The sort of thing that would also happen to his father, he reflected. After a few minutes, they fell silent, both ruminating, no doubt, on those now suffering without shelter. The husband abruptly declared he wanted to walk home and got out of the car. “I am looking more and more like my father,” thought the husband. The wife drove on. Read more »

God wanted me to write this column

by Joseph Shieber

One of the biggest early 20th century philosophical challenges to the belief in God stemmed from the doctrine of verificationism.

Roughly, according to verificationism, a claim has meaning just in case it is possible to verify the claim — either through empirical evidence or logical proof.

Now here’s the problem for a claim that expresses belief in God. There is no empirical evidence that can prove the existence of God, nor is it possible, purely through logic alone, to prove God’s existence. So, according to verificationism, a claim like “God exists” is quite literally meaningless. It’s just nonsense. Though grammatical, it’s no more meaningful than “Colorless green ideas sleep furiously”.

What made me think of verificationism and theism recently is the fact that, in the last couple of weeks  (and, indeed, years), a number of religious people have claimed that God had a particular interest in the outcome of the 2016 United States Presidential election.

Now it seems to me that we can show that such claims are pretty obviously nonsensical. And it seems to me that we can do this without accepting anything as strong as the verificationist thesis. In fact, we can do this even according to the standards of a committed religious believer. Read more »

The Borrowed and the New: American Wine and French Tradition

by Dwight Furrow

The wine world is an interesting amalgam of stability and variation. As I noted last month, agency in the wine community is dispersed with many independent actors having some influence on wine quality. This dispersed community is held together by conventions and traditions that foster the reproduction of wine styles and maintain quality standards. Most major wine styles are embedded in traditions that go back hundreds of years and are still vibrant today. Although the genetic instability of grapes and their sensitivity to minor changes in weather, soil and topography are agents of change, most of these changes are minor variations within a context of stability. We create new varietals, discover new wine regions, and develop new technologies and methods but these produce minor deviations from a core concept that sometimes seems immune to radical change. There are, after all, only so many ways to ferment grape juice. Red and white still wine, sparkling wine, and fortified wine have been around for centuries and are still the main wine styles on offer. Every wine we drink is a modification of those major themes.

Nevertheless, sometimes wine styles change, often massively. In a community so bound by tradition how does that change take place? One example of a massive change in taste took place in the U.S. in the decades following WWII, where in the course of about twenty years American wine consumers changed their preference from sweet wine to dry. How did such a revolution in taste occur in such a relatively short period of time? Read more »

Monday, February 4, 2019

Why a pragmatist defense of truth is useful

by Dave Maier

A contemporary truism, ironically enough, is that we now live in a “post-truth” era, as attested by a number of recent books with that or similar titles, related by their authors with varying degrees of chagrin. We all know the ultimate, or at least proximate, source of this concern: that fount of untruth which is Donald Trump’s Twitter feed (with a side of Brexitmania for those across the pond). Even among his supporters – and this is indeed, I think, the most charitable interpretation of the phenomenon in question – Mr. Trump is, as his aide Ms. Conway has put it, best taken “seriously but not literally.” That is, he is not particularly concerned with whether what he says is true, but instead with its effect on his readers and listeners, friendly or hostile.

I’m not going to defend this attitude toward truth-telling, which has become known, thanks to philosopher Harry Frankfurt, as “bullshitting,” and in fact dates back to the ancients, when Plato’s Socrates criticized what were called “sophists” for similar attitudes. However, it does seem that some of today’s self-appointed defenders of truth can paint their targets with an excessively broad brush. Naturally there is a lot of complaining about “postmodernist skepticism about truth,” but since most of our writers are not philosophers, their somewhat vague griping is hard to evaluate. (Michiko Kakutani, for example, clearly doesn’t like Derrida; but that’s just about all I got out of what she said.) But I’m not here to defend postmodernism any more than I am to defend “alternative facts.”  Read more »

Radical Centrism: Lincoln at Cooper Union

by Michael Liss

“He knew the American people better than they knew themselves, and his truth was based upon this knowledge.” —Frederick Douglass, Oration in Memory of Abraham Lincoln, April 14, 1876

In October of 1859, Abraham Lincoln received an invitation to come to New York to deliver a lecture at the Abolitionist minster Henry Ward Beecher’s Plymouth Congregational Church in Brooklyn.  

Although Lincoln was, at this time, largely a regional figure among Republicans, and held no public office, the invitation was not accidental. The party was still a bit like a Rube Goldberg contraption, made up of pieces (former Whigs, Know-Nothings, disaffected Northern Democrats) that didn’t all quite fit together. People of influence, notably the newspaper publishers William Cullen Bryant and Horace Greeley, knew the new movement needed a coherent, inclusive platform, and an articulate, attractive man to lead it.

They weren’t, by any means, anointing Lincoln—in fact, they had no idea what he could do. He had acquitted himself well in his 1858 Senate race against Stephen Douglas, the presumed 1860 Democratic Presidential nominee, but he had also lost. There were other questions as well: Would a person some described as a “backwoodsman” play in front of a New York audience?

What was obvious was that the most likely Republican candidates for the nomination were either flawed or disliked, or flawed and disliked. The presumed frontrunner, William Seward of New York, was unquestionably competent, but had made some radical-sounding speeches and was seen by many as a captive of Thurlow Weed’s political machine. Seward’s support was also thin in lower North states like Pennsylvania, Indiana and Illinois—all of which Republicans had lost in 1856 and were essential to victory this time. Other potential candidates had different weaknesses: Ohio’s Salmon P. Chase was an able Governor, but lacked what we would now call retail political skills. Pennsylvania’s favorite, Simon Cameron, was undeniably corrupt. The fourth “first tier” candidate, Edward Bates of Missouri, was 66, barely a Republican, and almost certainly the most conservative. It was hard to see how he could have ignited a movement. Read more »

Perceptions

Rina Bannerjee.  She Is My Country, 2009.

Texas long horn steer skull, cowrie shells, steel planters, Hindu ceremony thread, antique mannequin, globes, wire, kitchen towel rack, glass beads, brass bells, Chinese umbrella, Japanese mosquito net, bone beads, copper trim, African necklaces, Chinese lantern, 22 carat gold powder. / Musee Goya, Castres, France, 2012

” … She’s my country…her breath exploded of putrid death and folly. Her tresses snagged the most prickly greed lured cultures to wet their beds severed family and prayed on hope….she is at war …”

More herehere, here, and here.

On the Road: Time Was

by Bill Murray

47-year old Teburoro Tito stood at the head of his delegation on an island way out in the Pacific Ocean. At the stroke of midnight on January 1st, 2000 the President of Kiribati handed a torch to a young man, ceremonially passing the future to a new generation.

Nobody lived there. Nobody ever went out there. When the designers of the International Date Line put marker to map, they drew right through the 33 islands that wouldn’t become Kiribati for 95 more years. They were just trifling bits of land, of no concern to cartographers 9050 miles away in London.

But there the little group stood because in 1994 the I-Kiribati president “applied to have a slight loop inserted into the date line that included all its islands in one time zone…. The Greenwich Observatory sanctioned his proposal and thus it was that his little nation profited greatly from the millennial hoopla.”

Dancers in grass skirts played to the cameras and the Kiribati archipelago made its claim to be the first to welcome the new millennium. The US Navy submarine Topeka made its own claim, positioning itself 400 meters underwater straddling both the date line and the equator.

New Zealand claimed the new millennium’s first sunrise. Their Chatham Islands, 500 miles east of the rest of New Zealand, got about a forty-minute jump on the rest of the country.

The real first dawn over land was near remote Dibble Glacier in Antarctica, but it was midsummer there, and you couldn’t really call it dawn, because the sun had never even set. If anybody was there, they never mentioned it. Read more »

A Generous Standard For Protection

by Anitra Pavlico

Amidst all of the disheartening immigration news, it was refreshing to see the recent D.C. district court decision in Grace v. Whitaker. The A.C.L.U. and the Center for Gender & Refugee Studies brought the case on behalf of twelve adults and children who fled domestic violence in their home countries and were denied entry by United States border officials. Judge Emmet Sullivan reviewed former Attorney General Jeff Sessions’ extraordinary decision in Matter of A-B- last summer, which imposed heightened requirements for asylum-seekers entering the U.S. and moreover stated that domestic violence and gang violence were “generally” not grounds for asylum. Judge Sullivan found that Sessions’ decision and the subsequent Policy Memorandum that the Department of Homeland Security issued were unlawful.

Asylum law in the U.S.

Asylum law in the U.S. recognizes refugees belonging to a few specific categories: political opinion, race (encompassing ethnicity), nationality, religion, and “membership in a particular social group.” People fleeing abusive domestic situations and gang violence have been able to gain asylum in the U.S. through the last category, social group. To qualify as a refugee, someone must have a “well-founded fear of persecution” either by governmental actors, or, what is often crucial for social-group applicants, by non-state actors that the government is “unable or unwilling” to control. This language will come up a little later, as Sessions’ decision attempted to morph it into something quite a bit more restrictive. Read more »

Is There a Word for Reverse Anthropomorphism?

by Richard Passov

Milton Friedman

Milton Friedman, in his essay The Methodology of Positive Economics[1]first published in 1953, often reprinted, by arguing against burdening models with the need for realistic assumptions helped lay the foundation for mathematical economics. The virtue of a model, the essay argues, is a function of how much of reality it can ignore and still be predictive:

The reason is simple. A [model] is important if it explains much by little, that is, if it abstracts the common and crucial elements from the mass of complex and detailed circumstances surrounding the phenomena to be explained and permits valid predictions on the basis of them alone.

Agreement on how to allow predictive models into the canon of Economics, Friedman believed, would allow Positive Economics to become “… an Objective science, in precisely the same sense as any of the physical sciences.” What Friedman coveted can be found in a footnote:

The … prestige … of physical scientists … derives … from the success of their predictions … When economics seemed to provide such evidence of its worth, in Great Britain in the first half of the nineteenth century, the prestige … of … economics rivaled the physical sciences.

Friedman appreciated the implications of the subject as the investigator, to a degree. “Of course,” he wrote, “the fact that economics deals with the interrelations of human beings, and that the investigator is himself part of the subject matter being investigated…raises special difficulties…

But he loses the value of his observation to a spate of intellectual showboating:

The interaction between the observer and the process observed … [in] the social sciences … has a more subtle counterpart in the indeterminacy principle … And both have a counterpart in pure logic in Gödel’s theorem, asserting the impossibility of a comprehensive self-contained logic …

The absence of an ability to conduct controlled experiments, according to Friedman, was not a burden holding back progress or unique to the social sciences. “No experiment can be completely controlled,” he wrote and offered astronomers as an example of scientists denied the opportunity of controlled experiments while still enjoying the prestige he coveted.

But though moving economics forward as a positive science – one where predictions are formulated through math and then tested against alternative formulations – he did not want to see mathematics supplant economics. “Economic theory,” he wrote, “must be more than a structure of tautologies … if it is to be something different from disguised mathematics.”

When Friedman penned his article, the simplest mathematical formulations exhausted computational capacity. Read more »

On the Trail of Leonardo– Confusion, Collusion, and Connoisseurship

by Leanne Ogasawara

Salvator Mundi (Leonardo da Vinci)

It was mid-summer 2011 when the news broke that a long-lost Leonardo da Vinci painting had been found. Apparently, a New York City art dealer noticed the picture at an estate sale in Louisiana and purchased it for around $10,000. This occurred back in 2005, and the following six years were spent in painstaking work to research and restore the painting. Now in 2011, it was making its public debut in a high profile blockbuster exhibition at the National Gallery in London.

My first thought was: “This is the greatest art historical discovery of my lifetime!”

After all, it has been over a hundred years since the last Leonardo was officially “discovered.” This happened when the Benois Madonna was triumphantly trotted onto the world stage in Saint Petersburg, in 1909. Considered to be one of two very early Madonna paintings that the master himself mentioned working on in his notebooks in 1478, the painting was bought by the Hermitage Museum in 1918 and has remained in that collection ever since. This purchase being much to the chagrin of the American industrialist and art patron Henry Clay Frick, who had plunked down a hefty deposit for the picture– only to lose out in the end, when the Russian czar swooped down to exercise his right to purchase.

Benois Madonna

Not a prolific artist, it is hard to say which was worse: Leonardo’s chronic procrastination and inability to finish projects or the highly experimental methods in technique and materials that he favored. The result being that not many paintings remain in what is broadly agreed upon by experts to have been done in his hand. Prior to the new 2005 discovery, there were fewer than twenty pictures. So the new discovery was immediately –and not surprisingly– met with a deluge of doubts. First of all, how does one lose something this valuable in the first place? Shouldn’t there by a seamless trail of the work from its conception and initial purchase by a king or duke down through history, as it changes hands for greater and greater sums of money? Leonardo was, after all, legendary even during his own lifetime, with kings and queens clamoring to obtain paintings from the great master. And unlike with my favorite artist, Piero della Francesca, his work never fell out of favor. Read more »

Improper Nouns

by Akim Reinhardt

I’ve met
Montanas, Dakotas, and Asias
Brooklyns, Chinas, and Indias
Roses and Irises, Lilys and Daisys
Porsches and Lexuses and Mercedes,
Persons turned to Places and Things

I’ve met
Mayas, Gypsys, and Cheyennes
People who were people they’ve never been

I’ve met
Aprils, Mays, and Junes
People defined and consigned to sunny times

I’ve met
Robins, Ravens, and Fawns
Summers, Autumns, and Dawns
People plucked unnaturally from nature

I’ve met
Jubilees and Joys
Faiths and Hopes
Charitys, Serenitys, and Flelicitys
People who were prayed upon

I’ve met
Hazels, Ebonys and Violets
Sapphires, Siennas, and Scarlets
People spilled upon pallets

I’ve met
Olives, Abrosias, and Bries
Candy and Cherrys
Gingers and Sherrys
Clementines, Cocos, Honeys
People gobbled and chewed up

I’ve met
Rubys and Pearls
Crystals and Jewels,
Jades and Goldies
Ambers and Pennys
People pocketed and paid for

No wonder they’re so easily called
Red Heads, Brunettes, and Blondes
Curvy, Skinny, and Fat
Big Titted, Fake Titted, and Flat
Ugly, Hot, and Okay
Bitch and Cunt
Whore and Slut

Instead of
Mother or Daughter
Sister or Wife
or Friend

So many women
labeled as exotic
tasty or erotic
So many women
told not to be women
told to be
calendars, colors, or stones
animals, flowers, or strangers
told to be something
Eaten or visited or tamed
Bought and sold as they’re named
For other people’s emotions
Dreams and devotions
Trinkets and Toys

But boys, it seems, will be boys

Akim Reinhardt’s website is ThePublicProfessor.com

Facts Become the Enemy: Art and Archives. A Conversation with Joy Garnett on “The Bee Kingdom”

by Andrea Scrima

Caricature of A.Z. Abushady by the Persian/Alexandrian cartoonist, Mohamed Fridon (ca. 1928)

Joy Amina Garnett is an Egyptian American artist and writer living in New York. Her work, which spans creative writing, painting, installation art, and social media-based projects, reflects how past, present, and future narratives can co-exist through ‘the archive’ in its various forms. Her work has been included in exhibitions at New York’s FLAG Art Foundation, MoMA–PS1, the James Gallery, the Milwaukee Art Museum, Museum of Contemporary Craft Portland, Boston University Art Gallery, and the Witte Zaal in Ghent, Belgium, and she has been awarded grants from Anonymous Was a Woman, the Lower Manhattan Cultural Council, Wellcome Trust, and the Chipstone Foundation. Joy’s paintings and writings have appeared, sometimes side-by-side, in an eclectic array of publications, including the Evergreen Review, Ibraaz, edible Brooklyn, C Magazine, Ping Pong, and The Artists’ and Writers’ Cookbook. She has been working on a memoir and several other projects around the life and work of her late grandfather, the Egyptian Romantic poet and bee scientist A.Z. Abushady (1892–1955). Her chapter on Abushady will appear in Cultural Entanglement in the Pre-Independence Arab World: Arts, Thought, and Literature, edited by Anthony Gorman and Sarah Irving, forthcoming from I.B. Tauris. An excerpt from her memoir-in-progress appears in the January 2019 issue of FULL BLEDE, edited by Sacha Baumann.

Andrea Scrima: Joy, you’re the sole steward of the effects of your famous grandfather—the Egyptian Romantic poet and bee scientist Ahmed Zaki Abushady [Abu Shadi]—and have been compiling an archive for several years. First of all, however, I’d like to ask you about your artistic approach to the material and the ways in which history and storytelling interweave in the work. You showed an earlier version of this work-in-progress at Smack Mellon around four years ago, and now, recently, I’ve seen a number of new installments of The Bee Kingdom on Facebook. It makes me think of a kind of novel of layered fragments.

Abushady in the back garden of his home and research laboratory ‘Rameses Villa,’ Ealing, London. September, 1917

Joy Garnett: I like that description, The Bee Kingdom as a novel of layered fragments, though sometimes it feels like I’m chasing a moving target. It’s been challenging to parlay so many fragments into an artwork or a sustained piece of creative writing, but that is what I’m doing. The source material is not only historically relevant, it’s close and personal, and this affects how I work. And while I want to know the history of what actually happened to my grandfather and my family, and so on, I’m aware of many co-existing unofficial and even secret histories that appear and disappear as I try to make sense of things.

There are other questions, such as what types of media I want to work with. I’ve been a painter all my life, but painting isn’t right for this project. Is The Bee Kingdom mostly writing? Yes and no. I’ve subordinated the visual to writing, but the writing depends heavily on images. Read more »