by Leanne Ogasawara

1.
Maybe this is something that happens when you reach a certain age?
But lately, I’ve found myself yearning to revisit things like paintings and books. Ones I loved when I was young. Like standing before Raphael’s Madonna del Cardellino in the Uffizi again. I was nineteen when I first saw the picture. Viewing it again thirty years later, I asked myself: How has the painting changed? How has the viewer changed? Am I even the same woman now? Or maybe it is the world that has moved on….
It was not long after seeing the Raphael that I first read Moby Dick. A philosophy major at Berkeley, I read Melville’s novel in a class taught by world-renown Heidegger scholar Hubert Dreyfus. The class, was called “Man, God, and Society in Western Literature” and Moby Dick was the last work on the syllabus, after reading Homer, Virgil, and Dante. Indeed, it was the culmination of the class.
The greatest book of American literature ever written, Professor Dreyfus told us this again and again.
Call me Ishmael.
God, I loved that first sentence… But it was the rest of that opening paragraph that really grabbed and shook me. That same one about which Ta-Nehisi Coates judged to be “the greatest paragraph in any work of fiction at any point, in all of history. And not just human history, but galactic and extraterrestrial history too…” Here it is:
Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can.
The words exert the same power over my imagination now as they did back then when I was nineteen. Re-reading the novel this year, as I am also consulting several other books about Moby Dick, I learned that nowadays people consider that Ishmael was depressed and maybe even suicidal during that dark and drizzly November of his soul.
But back when I was nineteen, I didn’t think of it like that. Read more »




The recent show
Sughra Raza. Landings, Dec 23, 2025.
At the end of each of the past twelve years I have written a long rhyming ballad, reviewing the period coming to a close, giving thanks for some events and lamenting others. I began in December 2013, while I was recovering from a lengthy illness; and I recited what would be the first of a series at a family New Year’s Eve party, among some of those whose support had been indispensable to the recrudescence of my health, and to whom I therefore wished to express my gratitude.

Let’s grant, for the sake of argument, the relatively short-range ambition that organizes much of rhetoric about artificial intelligence. That ambition is called artificial general intelligence (AGI), understood as the point at which machines can perform most economically productive cognitive tasks better than most humans. The exact timeline when we will reach AGI is contested, and some serious researchers think AGI is improperly defined. But these debates are not all that relevant because we don’t need full-blown AGI for the social consequences to arrive. You need only technology that is good enough, cheap enough, and widely deployable across the activities we currently pay people to do.



Last Saturday was the 20th anniversary of the day on which Judge John Jones III handed down 