Stuck is a weekly serial appearing at 3QD every Monday through early April. A Prologue can be found here. A table of contents with links to previous chapters can be found here.
by Akim Reinhardt
He released 33 albums and recorded over 400 of songs, earning two Grammys among seven nominations. Yet you probably don’t know who Leon Russell was. For some people he’s a vaguely familiar name they have trouble putting a face or a tune to. Many more have never even heard of him. Because despite his prodigious output, Russell also had a way of being there without letting you know. He was the front man whose real impact came behind the scenes. He was very present, but just out of sight.
In addition to recording his own music, Leon Russell was a prolific session musician who worked with hundreds of artists over six decades. His main instrument was piano, but he played everything from guitar to xylophone. Russell was also was a songwriter who contributed to other musicians’ oeuvres. His song “This Masquerade” has been recorded by over 75 artists. “A Song For You” has been recorded by over 200. Finally, he was a record producer, a mastermind behind the glass and in front of the mixing board who oversaw and orchestrated, literally and metaphorically, the artistry of others. Read more »
Media Space, Science Museum, London: Until 1 March 2015
National Media Museum, Bradford, UK: 20th March- 21 June 2015
Reiss-Engelhorn-Museen, Mannheim, Germany: 2017
by Sue Hubbard
Photography is quite, literally, a miracle. In this technological age we forget how much, forget what the world was like before we could capture the fleeting, the momentary and lock it with one single click of the shutter into eternal aspic. Before the photograph memories were just that. Memories. To look at old photographs is to have a direct worm hole into the past. They are not the same as paintings. There, in front of us, is often the actual living plant, view or person as they were, maybe, 150 years ago. That is the way the light fell on a particular day, those are the actual clouds or dirt under the fingernails. It is not so much an interpretation but a preservation. Even a re-incarnation, and it often seems magical.
Founded in 1853, the Royal Photographic Society began making acquisitions following Prince Albert's suggestion that the society should collect photographs to record the rapid technical progress in photography. Royal approval soon followed. The 1850s were a moment of unprecedented optimism in Britain as we stood on the edge of a new, modern industrial world. There was a belief in the unlimited possibilities of science and technology, symbolised by a new young Queen on the throne. The RPS was modelled on the Victorian ideal of the learned Society. These existed all around the country to discuss literature, philosophy and the natural sciences and bring about self-improvement. The aim was to promote both the art and the science of photography. Today this unique collection contains over 250,000 photographs and is one of the most important in the world. Drawn by Light: The Royal Photographic Society Collection is the first co-curating enterprise between The Royal Photographic Society, the Science Museum and the National Media museum and the Reiss-Engelhorn-Museen. The title provides a delightful pun – for, of course, photography is pure light. The exhibition not only reflects the development of camera technology but the psychological, philosophical and aesthetic trends of particular eras and includes works not only by the greats such as Julia Margaret Cameron, Paul Strand and Don McCullin but also by many less known photographers.
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