Sophia Al Maria. … on Gulf futurism … More here, here, and here. Thanks to Anjuli Raza Kolb.
Nicholas Kahn and Richard Selesnick. Forgotten Crowns, 2013. Archival pigment print. More here and here.
Javier Perez. Carroña, 2011. Installation. More here, here, and here.
Hanaa Malallah. Something I Have Learnt. 2013. Ink, digital print, mixed media, on artist’s paper. More here, here, and here.
Siamak Filizadeh. Anis al-Dawla, 2014. Photograph. Current show at LACMA In The Field of Empty Days. ” … In the Fields of Empty Days explores the continuous and inescapable presence of the past in Iranian society. This notion is revealed in art and literature in which ancient kings and heroes are used in later contexts…
Kevin Beasley. If I was standing alone I wouldn’t stand it all (2017). More here, here, and here. Currently at ICA, Boston.
Toby Mulligan. Portrait, January 2018. More here, here, and here.
Olga Ziemska. Listen …, Ronsko, Poland, 2003. Plaster hand casts, and locally reclaimed birch logs. More here, here, and here.
Derek Parfit. Untitled (Thundercloud), c1980s . C type digital print. More here and here. Current show “The Mind’s Eye” at Narrative Projects, London, organized by Owen Laub with Samuel Sokolsky-Tifft. (Thanks, Sam).
Kassou Seydou. Bopu Kogn- coin de rue, 2017. Acrylic on canvas. More here, here, and here.
Wangechi Mutu. Madame Repeate, 2010. More here, here, and here. Current work at ICA, Boston.
Sarah Simblet. Cedar, 2015. Pencil drawing. More here, here, and here. Thanks to Lauren Shaw for the tip!
Sarah Simblet. Cedar, 2015. Pencil drawing. More here, here, and here.
Sterling Ruby. Double Vampire 6, 2011. Fabric and fiber fill. More here, and here. Thanks to Dr. Marc Lee.
Sughra Raza. Self-portrait at Schiphol, April 7, 2018. Digital photograph.
Marc Camille Chaimowicz. "Your Place or Mine" – current exhibition at Jewish Museum, NYC. More here, here and here.
Alicja Kwade. Light Transfer of Nature, 2015. More here, here, and here.
William Pope. L. William Pope. L: Trinket, 2015. More here, here and here.
Gohar Dashti. Home, 2017. More here, here, and here.
Peter Williams. Special K Standing, 2017. Oil on canvas. "… Titled With So Little To Be Sure Of, the exhibition features a series of oil paintings, drawings, and a mixed-media installation that confronts viewers with the traumatic reality of systemic violence towards African Americans. Ossei-Mensah writes, “Commenting on the concepts of race, representation, white supremacy,…