Valeriya Zvereva. Slime Mold. Macro photography. More here.
Sughra Raza. Landing; Mood. Boston, September 2012. Digital photograph.
Kazuo Shiraga. Untitled 1964. More here, here, and here.
Sughra Raza. Mid-winter Fall. February 2020. Digital photograph.
Sughra Raza. Untitled. Cape Town, August 2019. Digital photograph.
Pope L. Failure Drawing #636 Far Above the Ocean. 2009-2010 Ink, acrylic, ballpoint pen, oil stick, marker and correction fluid on map. More here, here and here.
Jack Youngerman. Long March II, 1965. More here, here, and here.
Li Huayi. Longevity. 2016. Ink on antique Japanese gold foil. More here, here, here, and here.
Christa David. I Am My Own Shelter, Thanks?. 2017. Mixed media. More here, and here.
Zanele Muholi. Ntozakhe II, Parktown, Johannesburg. 2016. Gelatin silver print. More here, here, here, and here.
Sughra Raza. Rorschach on the River Li. Yangshuo, China, January, 2020. Digital photograph. More on Karst landscapes here, and here.
Tschabalala Self. Sapphire 2015. Oil, pigment and fabric on canvas. More here and here.
Sughra Raza. “Living in the Mountain”, Yangshuo, China, January, 2020. Digital photograph.
Sughra Raza. “It’s a Shady World”, Boston, September, 2019. Digital photograph.
Leopold Blaschka and Rudolf Blaschka. Rotten Apples: Botanical Models of Diversity and Disease “… models of rotting apples infected with various fungi and bacteria. Also included are models of rotting and scabbing plums, pears, and apricots. The exhibition is part of Harvard’s Ware Collection of Blaschka Glass Models of Plants …” More here, here, and here.
Avery Singer. Untitled (Monday) 2017. Acrylic on canvas stretched over wood panel. More here, here, and here.
Martin Roth. “from may to june 2012 i grew grass on rugs in a castle”. ” …This state of in-between is central to his Persian rugs on which grass grows “on the ‘dust of history’.” They were inspired by philosopher Michel Foucault’s examination of “heterotopias,” spaces that both exist and do not exist. Since the…
Charles “Teenie” Harris. Girl Reading on Stack of Pittsburgh Courier Newspaper, 1940. In the current “Truthiness and News” exhibition at DeCordova Museum, Lincoln, MA. Silver gelatin print. Truthiness and the News explores the evidentiary role of photography, from the heyday of newsprint in the first half of the twentieth century to the current age of post-truth politics.…
Tavares Strachan. Untitled. 2014-15. Neon sculpture. More here, here, and here.
Damon Zucconi. A Cipher, 2019. Handwriting synthesis, 2d bin packing, UV curing ink on Alu-dibond. More here, and here. Current show.