Critical Digressions: The Simple Violence of “The Sopranos”

Ladies and gentlemen, boys and girls, Since our incarnation as a destitute and sometimes diligent academic, we haven’t possessed a TV, much less cable. We lead a wonderfully Spartan life here in Cambridge, reading, writing, braving the Massachusetts winter. Like hermits, ascetics, Eskimos, or those lost natives of the Amazon with dangling members, it seems…

Critical Digressions: Literary Pugilists, Underground Men

Ladies and gentlemen, boys and girls, After being attacked for a number of years by a new generation of literary critics – indeed, sucker-punched, phantom-punched, even body-slammed – “contemporary” (or “postmodern”) prose has hit back: in this month’s Harper’s, one of our favorite publications (less than $10.99 for an annual subscription), one Ben Marcus has…

Critical Digressions: Dispatch from Cambridge (or Notes on Deconstructing Chicken)

Ladies and gentlemen, boys and girls, After sojourning in Tuscany and Karachi for the summer, we have returned to the East Coast, to Cambridge, for the fall. Upon arrival, we spent the afternoon under the pigeon infested trees outside Au Bon Pain, leafing through the Boston Phoenix and the Weekly Dig. We overheard a woman…

Critical Digressions: The Naipaulian Imperative and the Phenomenon of the Post-National

Ladies and gentlemen, Naipaul is brilliant. Indeed, he is one of the finest writers the 20th century has produced. His book covers are often embellished with the following blandishment: “For sheer abundance of talent there can hardly be a writer alive who surpasses V.S. Naipaul.” We agree. His early comedies – Suffrage of Elvira, Miguel…