Ryan Gilbey at The New Statesman:
Between 2007 and 2010, the artist Christian Marclay and a team of researchers scoured tens of thousands of films for scenes and shots in which time was in some way incorporated. It could be a close-up of a watch or a sand timer, the $10m four-faced opal clock at New York Grand Central Station or a novelty timepiece showing two pigs humping merrily (from Mighty Aphrodite). Better yet, it might be an instance in which time plays a pivotal role: the clock tower struck by lightning in Back to the Future, or Harold Lloyd clinging to the minute hand high above Los Angeles in Safety Last!
Marclay had in mind a more ambitious concept than the sort of themed compendium routinely found on YouTube – “Every Single Nicolas Cage Laugh”, say, or “Highlander: All the Beheadings”. The installation, which has been touring the world since its premiere in 2010, isn’t simply named after a timepiece – it is one.