The Gatekeepers: On the burden of the black public intellectual

Mychal Denzel Smith in Harper’s:

Toward the end of the Obama presidency, the work of James Baldwin began to enjoy a renaissance that was both much overdue and comfortless. Baldwin stands as one of the greatest American writers of the twentieth century, and any celebration of his work is more than welcome. But it was less a reveling than a panic. The eight years of the first black president were giving way to some of the most blatant and vitriolic displays of racism in decades, while the shooting deaths of Trayvon Martin, Michael Brown, and others too numerous to list sparked a movement in defense of black lives. In Baldwin, people found a voice from the past so relevant that he seemed prophetic.

More than any other writer, Baldwin has become the model for black public-intellectual work. The role of the public intellectual is to proffer new ideas, encourage deep thinking, challenge norms, and model forms of debate that enrich our discourse. For black intellectuals, that work has revolved around the persistence of white supremacy. Black abolitionists, ministers, and poets theorized freedom and exposed the hypocrisy of American democracy throughout the period of slavery. After emancipation, black colleges began training generations of scholars, writers, and artists who broadened black intellectual life. They helped build movements toward racial justice during the late nineteenth and twentieth centuries, whether through pathbreaking journalism, research, or activism. At a time of national upheaval, Baldwin adroitly described the rot of white supremacy eating away at the possibility of American democracy. But his most famous book, The Fire Next Time, is emblematic of the dilemma that has always faced the black public intellectual, which Adolph Reed described memorably in the pages of the Village Voice. “Black intellectuals,” Reed wrote, “need to address both black and white audiences, and those different acts of communication proceed from objectives that are distinct and often incompatible.” Being a black public intellectual has always meant serving two masters, and one of those masters is so needy that the other is hardly tended to.

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