What dueling can teach us about taking offense

Clifton Mark in Aeon:

In 1717, Voltaire was arrested, some might say, for giving offence. He had published a ‘satirical’ verse that opens by calling the Duc d’Orleans, the then Regent of France, ‘an inhuman tyrant, famous for poison, atheism, and incest’. This pungent personal attack became so popular it was sung on the streets of Paris. In response, the Duc had Voltaire arrested without accusation or trial. The author spent 11 months in the Bastille.

Such stories help to explain why Voltaire turns up so frequently in today’s debates over offensive speech, which are driven by the sense that members of historically marginalised groups have become increasingly willing to take offence to speech that they feel implies their exclusion or inferiority. Many believe that this trend has gone too far. In 2016, the Pew Research Centre in the US found that a majority of Americans believe that ‘too many people are easily offended these days over language’. Angus Reid, a Canadian polling company, found similar results – in their poll, 80 per cent of Canadians agreed with the statement: ‘These days, it seems like you can’t say anything without someone feeling offended.’ This sense is not without basis. Public discourse is filled with confrontations over offensive speech. Hardly a day goes by when some public figure is not called out for offensive behaviour, or when another argues that all this offence-taking is a threat to free speech.

More here.

Sean Carroll’s Mindscape Podcast: Tyler Cowen on Maximizing Growth and Thinking for the Future

Sean Carroll in Preposterous Universe:

Economics, like other sciences (social and otherwise), is about what the world does; but it’s natural for economists to occasionally wander out into the question of what we should do as we live in the world. A very good example of this is a new book by economist Tyler Cowen, Stubborn Attachments. Tyler will be well-known to many listeners for his long-running blog Marginal Revolution (co-created with his colleague Alex Tabarrok) and his many books and articles. Here he offers a surprising new take on how society should arrange itself, based on the simple idea that the welfare of future generations counts for just as much as the welfare of the current one. From that starting point, Tyler concludes that the most moral thing for us to do is to work to maximize economic growth right now, as that’s the best way to ensure that future generations are well-off. We talk about this idea, as well as the more general idea of how to think like an economist. (In the second half of the podcast we veer off into talking about quantum mechanics and the multiverse, to everyone’s benefit.)

More here.

The Great Global Grad School Novel

Will Glovinsky in Public Books:

Was Sharmila Sen “happy” on the first morning she woke up in the United States to the strange smell of bacon frying? That’s what her young son wants to know when, near the end of Not Quite Not White—Sen’s powerful memoir and meditation on race and migration—he interviews her for a school project on immigration. It turns out we already know the answer. “It was a complex animal smell,” we read earlier of the odor she ever after associates with her 1982 arrival in Boston from Calcutta, “making my mouth water and my stomach churn in revulsion at the same time.”

Unwilling to a give her son a placating affirmative, Sen instead emphasizes that, while hardly joyous on arrival, she eventually adapted to life in her new country, just as her son would be able to should he himself have to emigrate one day. Though the prospect pains the young interviewer, it crystalizes an important strand of Sen’s reflections on emigration and belonging. “Should we only teach our children to welcome strangers among us? Or should we also teach them that one day they too might be strangers in a strange land—pushed around the globe by forces of economics, politics, or nature?” For Sen, the answer is at once clear and paradoxical: “We have truly arrived when we are no longer afraid of departure.”

What’s striking about this closing scene is not only the bold parenting or the way Sen turns a hoary Ellis Island mythology on its head.

More here.

Hayao Miyazaki’s Cursed Worlds

Susan Napier at The Paris Review:

Princess Mononoke inaugurated a new chapter in Miyazakiworld. Ambitious and angry, it expressed the director’s increasingly complex worldview, putting on film the tight intermixture of frustration, brutality, animistic spirituality, and cautious hope that he had honed in his manga Nausicaä of the Valley of the Wind. The film offers a mythic scope, unprecedented depictions of violence and environmental collapse, and a powerful vision of the sublime, all within the director’s first-ever attempt at a jidaigeki, or historical film. It also moves further away from the family fare that had made him a treasured household name in Japan.

In the complicated universe of Princess Mononoke, there is no longer room for villains such as Future Boy Conan’s power-hungry Repka, the greedy Count of The Castle of Cagliostro, or the evil Muska of Laputa: Castle in the Sky. Miyazaki instead gives his audiences the ambitious but generous Lady Eboshi and the enigmatic monk Jiko-bō, who insists that we live in a cursed world. Jiko-bō isn’t the only one who thinks this, apparently.

more here.

The Impact of René Girard

James Winchell at Tablet Magazine:

The publication of Cynthia Haven’s full-dress biography of René Girard, a major figure in the “French invasion” that stormed the beaches of American academe across the final decades of the last millennium, marks a notable event on many fronts: academic, professional, literary, philosophical; and for some individuals among generations of students world-wide, deeply personal. In my case, that means religious.

Thanks to a series of synchronicities that I will never fully grasp, I served for five years as Girard’s junior colleague, having earned my first tenure-track post as assistant professor of French at Stanford University (1988-93), where the brilliant Catholic thinker occupied a Distinguished Chair in the department of French and Italian, and influenced, among many other students, Peter Thiel. My subsequent decision—seven years and another university later—to become a Jew-by-choice was significantly informed by Girard, whose writings, colleagueship, and friendship informed the ongoing, gradual uncovering of the pre-existing Judaism that I had already intuited within myself.

more here.

Why we shouldn’t fear being alone

Frank Furedi in Sp!ked:

It is unpleasant to feel alone. Loneliness can be a source of desolation and anguish. That is why it is understandable that many of us look for ways to fix it. Some seek out therapy, others join social clubs and attempt to forge new relationships and contacts. The refusal to accept social isolation and the search for solidarity shapes who we are and influences community life. Loneliness is not just a condition that we must suffer. It also provides people with an opportunity to gain an understanding of themselves and of their world. The theologian Paul Tillich exhorted people to embrace their loneliness, because it forces us to engage with life’s two most fundamental questions: what is the meaning of life and how should we understand ourselves?

He argued that the word loneliness expresses ‘the pain of being alone’, while the term solitude captures the ‘glory of being alone’. This draws on Greek philosophers, who understood the importance of the value of self-reflection. Socrates referred to thinking as the soul’s internal dialogue with itself. The capacity to conduct an internal dialogue is essential for the development of a sense of self. It also helps you manage loneliness. Arendt, like Socrates, believed that the anguish of loneliness could be managed through the habit of conversing with oneself. Though still alone, she believed that through a ‘silent dialogue of myself with myself’, she was ‘together with somebody’. What Arendt, Tillich and other philosophers understood was that there is real value in solitude.

The medicalisation of loneliness distracts people from understanding the importance of living with solitude. Solitude is essential for the development of people’s sense of self and freedom. Our solitude provides a space where we can be free from any external pressure and control. It is a precious space that we open up to the gaze of doctors and health experts at our peril – doing so risks undermining our sense of moral independence. It is also the place where human beings can develop the psychological and moral resources they require to enter into intimate relationships.

More here.

Vuillard and His Mother

Laura Cumming at The Guardian:

Édouard Vuillard was 60 when his mother died in 1928. He had never lived with anybody else. “My mother is my muse,” he confessed to a friend, and the truth of that is apparent in more than 500 images of this small, stout widow with her tight bun and patterned dresses running a sewing business in the various Paris apartments they shared. She is there from first to last.

There – but where exactly? Take the smallest but most absorbing work in this gripping exhibition. Its title is Two Seamstresses in the Workroom. There they are, two young girls furled up in the lengths of cloth they are stitching. It is late; the lamp’s amber glow makes the blue of their dresses sing out in the silence while casting their faces into shadow. Their profiles are unusually distinct for Vuillard, who seems to be sitting close to the table himself. But at the far end is the hint of another person: just a fraction of flesh tone, but the shape of her forehead is characteristic. Madame Vuillard presides at the head of the table.

more here.

Researchers Explore a Cancer Paradox

Carl Zimmer in The New York Times:

Cancer is a disease of mutations. Tumor cells are riddled with genetic mutations not found in healthy cells. Scientists estimate that it takes five to 10 key mutations for a healthy cell to become cancerous. Some of these mutations can be caused by assaults from the environment, such as ultraviolet rays and cigarette smoke. Others arise from harmful molecules produced by the cells themselves. In recent years, researchers have begun taking a closer look at these mutations, to try to understand how they arise in healthy cells, and what causes these cells to later erupt into full-blown cancer. The research has produced some major surprises. For instance, it turns out that a large portion of the cells in healthy people carry far more mutations than expected, including some mutations thought to be the prime drivers of cancer. These mutations make a cell grow faster than others, raising the question of why full-blown cancer isn’t far more common. “This is quite a fundamental piece of biology that we were unaware of,” said Inigo Martincorena, a geneticist at the Wellcome Sanger Institute in Cambridge, England.These lurking mutations went unnoticed for so long because the tools for examining DNA were too crude. If scientists wanted to sequence the entire genome of tumor cells, they had to gather millions of cells and analyze all of the DNA. A mutation, to be detectable, had to be very common.

But as DNA sequencing grew more sophisticated, Dr. Martincorena and other researchers developed methods for detecting very rare mutations, and they began to wonder if those mutations might be found in healthy cells, hidden below the radar. Dr. Martincorena and his colleagues began their search in skin; its cells are battered daily by the sun’s ultraviolet rays, which trigger mutations. “We thought it was the lowest-hanging fruit,” Dr. Martincorena said. In a study in 2015, he and his colleagues collected bits of skin left over from cosmetic surgeries to lift drooping eyelids. They examined 234 biopsies from four patients, each sample of skin about the size of a pinhead. They gently coaxed the top layers of cells, known as epithelial cells, from the underlying tissue. Dr. Martincorena’s team then fished the DNA from the healthy epithelial cells, and carefully sequenced 74 genes that are known to play an important role in the development of cancer. Mutations that are common in cancer genes were remarkably common in these healthy skin cells, too, the researchers found. About one of every four epithelial cells carried a mutation on a cancer-linked gene, speeding up the cell’s growth.

More here.

Tuesday Poem

 . . . life which does not give the preference to any other life, of any
                  previous period, which therefore prefers its own existence . . .
                                                                              —Ortega y Gasset

Walt Whitman at Bear Mountain

Neither on horseback nor seated,
But like himself, squarely on two feet,
The poet of death and lilacs
Loafs by the footpath. Even the bronze looks alive
Where it is folded like cloth. And he seems friendly.

“Where is the Mississippi panorama
And the girl who played the piano?
Where are you, Walt?
The Open Road goes to the used-car lot.

“Where is the nation you promised?
These houses built of wood sustain
Colossal snows,
And the light above the street is sick to death.

“As for the people—see how they neglect you!
Only a poet pauses to read the inscription.”

“I am here,” he answered.
“It seems you have found me out.
Yet did I not warn you that it was Myself
I advertised? Were my words not sufficiently plain?

I gave no prescriptions,
And those who have taken my moods for prophecies
Mistake the matter.”
Then, vastly amused—“Why do you reproach me?
I freely confess I am wholly disreputable.
Yet I am happy, because you found me out.”
A crocodile in wrinkled metal loafing . . .

Then all the realtors,
Pickpockets, salesmen and the actors performing
Official scenarios,
Turned a deaf ear, for they had contracted
American dreams.

But the man who keeps a store on a lonely road,
And the housewife who knows she’s dumb,
And the earth, are relieved.

All that grave weight of America
Cancelled! Like Greece and Rome.
The future in ruins!
The castles, the prisons, the cathedrals
Unbuilding, and roses
Blossoming from the stones that are not there . . .

The clouds are lifting from the high Sierras,
The Bay mists clearing,
And the angel in the gate, the flowering plum,
Dances like Italy, imagining red.

by Louis Simpson,
from The Owner of the House: New Collected Poems, 1940-2001
BOA Editions, Ltd. 

Hidden Meaning

by Holly Case

A few years ago I found among my effects fourteen typewritten pages of prose fastened together by a rusty staple. A relic from the summer of 1996, the text was a guide to reading poetry. “It is impossible for me to write anything about the explication of poetry without pontificating a bit,” it began. The author was L., then a masters student in English literature at one of the state universities.

L. and his wife lived in a dark, forever-damp colossus of a barn that sat isolated on a flat plot in a shallow valley, close enough to the James River that it was called a neighborly “Jim.” There was a vacant dance hall upstairs in what had once been a hayloft, and downstairs living quarters that flooded perennially, their polychrome carpet mingling with Jim’s riverbed in a lavish, whiffy delta. L. wrote his master’s thesis there, as well as the epistolary exegesis on poetry for a young me.

That summer our separate holding patterns intersected in my parent’s two-story living room, which we were hired to paint while waiting for real life to begin. As the heat rose each day, I got crankier and L. grew more avuncular. Often the subject turned to poetry, his spiritual homeland but an exotic destination to me. After listening to him go on about iambs and enjambments and “-ameters,” I likely lost patience and told L. he’d have to begin at the beginning. Intent as he was on becoming an English teacher, he must have taken my defensiveness as a challenge. Shortly thereafter I got the packet. Read more »

One Foot In Engineering, The Other In The Humanities: Reflections On My Career and Interests

by Hari Balasubramanian

A bit of self indulgence – also a kind of preface to all the 3 Quarks Daily essays I’ve written.

I’ve always thought of myself as someone who is more drawn to the humanities than to math or the sciences. This can seem very puzzling to someone who looks at my career details: degrees in engineering and a career in academia in a branch of applied mathematics called operations research. Even I am stumped sometimes – how did I get so deep into a quantitative field when all my life I’ve held that literature (literary fiction in particular), history and travel are far better at revealing something about the human condition than any other pursuit?

Some follow an ambition stubbornly wherever it takes them and whatever the consequences. I did not have that kind of resolve. Growing up in west and central India, I read a lot English and American fiction – Agatha Christie, Alfred Hitchcock, Alistair Maclean – and decided that I must become a writer (English only of course for the mentally colonized, why would I write in Tamil or Hindi?). The ambition was strong enough to have a grip on my thoughts for the next two decades, but never strong enough to counter practical concerns. Like many middle class families, my parents felt I had to get into an engineering or medical college since both offered the promise of financial stability. I simply went along, following what high school friends around me were doing. After toying with majors as diverse as electronics and metallurgy I finally settled on something called production engineering. In 1996, I left home and attended what was then called the Regional Engineering College, twenty kilometers from the south Indian city of Tiruchirappalli: a semi-industrial, semi-rural middle of nowhere kind of campus where teenagers from far flung states of India came and lived in packed hostels for four years.

The ambition to become a writer, meanwhile, bided its time. All you had to do was write one breakthrough novel, something like Arundhati Roy’s The God of Small Things, become famous, then write full time: that was the naïve worldview that sustained me for a long time. Read more »

Staying

by Shawn Crawford

Flann O’Brien

Why do we stay? We lack the resources or the opportunities. We remain faithful to a place given to us through an accident of birth. We rage and complain but never wander very far, the reasons a cipher to ourselves. Even in America, a land of nomads and self-fashioning, most of us eventually find a place that is our Place, and feel compelled to return again and again. I continually meet people that define where they are merely in terms of where they left. We stay even in our absence.

The exodus of Irish writers from their country in the early 20th Century, most notably James Joyce and Samuel Beckett, would influence all of literature for the rest of the century. Before both could create, they would have to come to terms with an Irish culture that offered both a deluge of artistic tradition and a stifling insularity that threatened to eat every beautiful creature Irish writers produced. But they would become exiles in very different ways, although Beckett would work as Joyce’s literary secretary for a time, until he left to find his own identity and narrative path.

Samuel Beckett and the Greatest Hair of Modern Literature

Joyce never left Dublin no matter how far he roamed.  He occupied Dublin in his mind, obsessed over its topography, demanded to know of every change from friends, wrote of no place else his entire career.  But Beckett would succeed by leaving in the most astonishing manner: not only would he leave Dublin in his work to inhabit a place that was Everywhere but Nowhere, he would leave English and begin writing exclusively in French.  Moving to another language would give Beckett the order, discipline, and what he called the “impoverishment” needed to find his own voice and literature.  He would create as close to the bone as possible and find the heart of modern human existence. And then he would put the work back together again in an English stripped of all flourishes.

While Beckett and Joyce would grow into titans of modern literature, another Irish writer would stay in Dublin, laboring to survive while producing a body of work both utterly brilliant and utterly unknown today except for a devoted cult following. That man was Flann O’Brien. Read more »

Deepfakes aren’t the problem, We are

by Joseph Shieber

1. Bored, and with little to occupy their time, two cousins, Elsie, who was 16, and Frances, who was 10, decided to play around with photography. At a river near where they lived, they manipulated an image so that it looked as if they were interacting with little, magical winged creatures — fairies.

The photo was believable enough that they fooled a number of adults — including world-famous writers. The girls produced a number of other photos, using the same methods. The media was ablaze with discussions of the images and of whether they provided proof of the existence of fairies.

This all happened in 1917.

I was reminded of this case — the case of the Cottingley fairies — by the recent interest in the phenomenon of deepfakes.

Deepfakes are incredibly realistic manipulations of video and audio. Here, for example, is a video of President Obama uttering something that President Obama never said — made by swapping in the actor Jordan Peele’s mouth and voice.

If you believe the hype surrounding deepfakes, this technology threatens not only “the collapse of reality”, but also the falsification of our memories. While the threat is real, the problem isn’t actually with the deepfakes — it’s with us.

Actually, the discussion of deepfakes can help us to see two different problems that we face. Solving those problems, however, doesn’t really involve technological solutions. Read more »

Under Cover

by Joan Harvey

Page from August 2018 Vogue

Even though I knew better, when I was told I could get free magazine subscriptions with my minimal airline miles that would otherwise expire, I succumbed. Of course I didn’t need any more reading material, and I was fully aware of the waste they’d create, but I allowed myself to be lured by the idea that getting something was better than getting nothing. So I got Food and Wine, with recipes that I could never make, and Conde Nast Traveler, with glamorous photos of places I’ll never go. And I got Vogue, with, naturally, clothes I will never wear. I’ve always enjoyed fashion. But I found the first issue I received, August, disturbing. I was astonished at how covered up all the models were. Almost no skin anywhere. Necklines were high, so high that there were turtlenecks even on summer dresses. Turtlenecks even on the beach. Long coats over full length body suits on the beach. Gigi Hadid, of Dutch and Palestinian heritage (I suppose to avoid issues of cultural appropriation) is shown in a head scarf and a coat the same green as the sister wives in The Handmaid’s Tale. And, naturally, she too is wearing a turtleneck. There are also almost no legs to be seen in the issue. Dresses are shapeless and long. Even bare arms are rare. Hair is cut short or covered up. The September Vogue was not much different. More long dresses, more head scarves, more turtlenecks on the beach. Though in this issue we do get some shots of Beyoncé’s legs.

An article in the September Vogue by Lynne Yaeger asks: “Is there seduction in concealment?” The models in the photos accompanying her essay have not just their bodies, but their faces covered as well. “What is the meaning of this peekaboo?” Yaeger writes. “Is this desire to cover up— which manifested itself in the all 2018 collections not just with covered heads but with modest necklines and voluminous long sleeves—a reflection of the #MeToo moment, a rage against the sexual-objectification machine? . . . Or perhaps the new visibility of women in the Middle East, and they way that hijabs are finding their way into the fashion vocabulary, is playing a role? Or could it just be that in an age of Instagram vainglory the allure of literally covering up, of not being so endlessly available, has its own currency?”[1] Read more »

A Sirens’ Song

by Abigail Akavia

Two weeks ago, Maniza Naqvi evocatively wrote here on the resonance of a mythological rape in the eventual confirmation of Brett Kavanaugh to the US Supreme Court (“The State of The Rape of Sabines”). Today, I would like to revisit Christine Blasey Ford’s testimony, focusing on how the qualities of her voice were put front and center by those who refused to take her actual words seriously. In the Ford-Kavanaugh events, we witnessed, again, how female suffering—the female voice itself as it tells of violence and injustice—is dismissed and mistrusted. And I would like to show that this resonates powerfully with another two of our civilization-forming myths: the rape of Persephone and the song of the Sirens.

During her testimony, disparaging comments on Blasey Ford’s childish tone and her vocal fry appeared on social media; these qualities were, for those responding to it, signs of her untrustworthiness. Such disapproving comments are an example of fairly run-of-the-mill misogyny: a suspicion against what a woman has to say simply because she sounds too feminine. But with vocal fry in particular, there is an interesting inversion of expectations at work that is worth considering. Read more »

Moral Laziness

by Thomas Wells

Middle age brings sometimes uncomfortable self-reflection. One thing I have realized is that I am not a particularly good person. Not evil, just mediocre. Lots of people are much better at morality than me, including many of my students. On the other hand, I am quite good at the academic subject of ethics. Good enough to teach it at a university and write papers that occasionally appear in nice journals.

Is there a contradiction between these two observations? Is there a causal relationship?

When I started studying ethics I assumed it would somehow make me a morally better person. But I never really thought through that ‘somehow’ and after 15 years I can see that my complacency was not justified. My moral achievements still derive mostly from the good habits my parents trained me in. If I am at all a better person than I was 15 years ago, that has had more to do with the good people I have been lucky enough to know than with what I have been reading, thinking, and teaching.

Some years ago, for instance, I worked through the arguments around animal rights and decided to my intellectual satisfaction that the case against eating them was completely compelling. But I still eat meat nearly every day. I did try vegetarianism a couple of times but gave up because it was too hard. Vegetarian food in every situation was always worse than the meat alternative. And I got very tired of eating cheese.

Aristotle would diagnose my failing as akrasia, or weakness of will. I characterize it in more familiar terms as moral laziness. I claim moral principles, but I am not prepared to put much effort into living up to them. In the same way, I think I want to be thin, but – practice has revealed – I am not prepared to exchange my comforts for ascetic bowls of muesli and pre-dawn running regimes. Either I don’t care about being good as much as I think I do (a motivation problem), or I am not really convinced by my own moral reasoning (a rationality problem). I think it may be a bit of both. Read more »

What Is It That You Seek: A Cemetery Reflection for Halloween

by Liam Heneghan

Battered by thoughts of finitude, by thoughts of decay, my confidence ebbs. I come now to this place; I come to this cemetery. Mere weeks before was I not as light as a seed-filament, I who am so preoccupied by unknown fates, by sepulchral dreads, by nostalgic aches for the rose-scented afternoons of summer?

O summer days, where now is your exuberance? Did I not assure my love that we would endure, that our lives would go from strength-to-strength, that hardship had been banished? Read more »