Nick Ripatrazone at The Millions:
Read a few lines of a talented poet charged with God—from the otherworldly lines of Gerard Manley Hopkins on forward to Akbar himself—and you see what faith can do to language. There’s a lift. A particular lean. A curious mixture of confidence and humility. A strangeness borne of awe. Peter O’Leary’s book of criticism, Thick and Dazzling Darkness: Religious Poetry in a Secular Age, considers what it means when religious poets continue to write such charged verse when the broader world reacts with skepticism, and perhaps derision, in response to such devotion.
The subject matter is in capable hands. O’Leary’s a poet himself, but he also knows how to curate rather than perform—he offers a healthy amount of sample lines to let the poets shine. He’s also comfortable with God talk. Few things sour many contemporary critics of poetry more than authentic and earnest religious devotion. The problem isn’t always illiteracy of religious texts—and a working knowledge of theology might be a bit much to ask.