Martha Nussbaum’s new book about the dangers of anger tells us more about the limits of the liberal mindset than the actual world of politics

Amia Srinivasan in The Nation:

ScreenHunter_2413 Dec. 01 19.48The 2016 presidential election was, it seems, decided by angry white men in the Rust Belt: angry that their fellow Americans increasingly do not look or sound like them; angry that black lives matter and that a black man is in the White House; angry that the movements of capital are indifferent to their needs and that movements of people have increased; angry that a woman thought herself fit to run the country.

One might well think that anger itself was the problem. Many have been calling for a return to a more civil and reasonable form of political discourse. But some go even further: Perhaps what we need is the total eradication of anger from our politics. If so, then those of us on the left should respond to Trump’s election not with our own anger but with something altogether cooler and calmer.

In her latest book, Anger and Forgiveness, the philosopher Martha Nussbaum argues for just this. Even “great injustice,” she says, is no “excuse for childish and undisciplined behavior.” For not only is anger bad because of its consequences—alienating political opponents, breeding revenge and violence, inhibiting progress—it is also a bad thing in itself, an immoral and incoherent way of responding to the world.

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The incredible Fulk

Alexandra Suich in The Economist:

Fulk“This is going to become the best club in the city,” Ken Fulk says confidently. We are 49 storeys high, looking down at the Bay Bridge from a new high-rise, the Harrison, packed with multi-million-dollar condominiums that are all for sale. Fulk was hired to glam up the skyscraper’s interior, and thought the top floor should be a swanky members’ lounge and wine bar, where residents could mingle for drinks and host private events while gazing at the glistening bay. The space is both modern and retro. A fire roars in the centre of the room, light fixtures in the shape of pagodas hang from the ceiling and there is a bar covered in crocodile skin. Luxurious amenities are part of the Harrison’s allure, but so is Fulk himself. San Francisco is having its Manhattan moment. Buildings are stretching skyward, and people are moving here in swarms to seek their fortunes. Fulk is helping reimagine the city’s interiors. He came to prominence in 2013 with the opening of The Battery, a private club, which quickly became an after-hours destination for techies, who linger in banquettes beneath the main lounge’s exposed-brick walls.

But most of Fulk’s business is designing private houses for the city’s wealthy technorati. His clients include Mark Pincus of the gaming company Zynga; Kevin Systrom of the photo-sharing app Instagram; Jeremy Stoppelman of Yelp, the online review site; and Michael and Xochi Birch, who sold their social network, Bebo, for $850m in 2008 and now own The Battery. While minimalist interiors are in vogue, Fulk’s signature style is bold, eclectic and gleefully maximalist. “With contemporary design, you feel like you walked into a hotel room,” says Systrom.

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