A Brexit State of Mind: The Vision Thing

by Bill Benzon

The best lack all conviction, while the worst Are full of passionate intensity.

—Yeats

One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.

—Kafka

16559853237_825839a5ebI woke up at 1:17 AM a couple nights ago, a dream on my mind. Which is unusual, because I generally do not remember dreams.

It was night and I was walking along the street outside an aged building where I occupied an apartment on the first floor. To my surprise and dismay the external wall along one side of my apartment was completely gone. It had been in bad shape and needed repair, but why hadn’t my landlord given me notice about the repairs? I’d been thinking of inviting my father to visit me, but I couldn’t do that now. And how could I protect my things from thieves? So I went to the rear of the building, clambered up an external wall and over the roof of a rear-facing porch and through a window into a second floor apartment. I looked around, went past the occupants, who were sitting on mattresses on the floor and paid me no mind, and entered the front apartment on the second floor where I did the same thing. So did they. I walked down the stairs to the first floor where I entered my apartment through the door. Now I was in my apartment and looking into the street through the wall that was no longer there.

That’s when I awoke. There was of course more to the dream than that, But I don’t recall it very well and, in any event, dreams and prose are such very different things that any account I give will be as much invention as recollection. So it is with that first paragraph.

The thing is, I recognized that apartment. It seemed that I’d been there in other dreams, dreams years ago. But that apartment also seemed like a diffuse and distracted amalgam of apartments I’d occupied in Baltimore, Buffalo, Troy NY, and even Jersey City.

I remembered that before I’d fallen asleep I’d been thinking of writing this piece. Not so much about Brexit as about a diffuse wandering state of mind. Start with Brexit and see where it takes me.

For you see, I’m not expert in any of the various things that would allow me to lay claim to serious insight into the referendum that just took place in Britain. It’s just one of the things that flows through my mind these days, along with Trump, Sanders, and Hillary; territorial disputes in the South China Sea; drone warfare; and just when are we going to see self-driving vehicles on the open road? I claim no particular expertise in these matters either, but they enter my mind where I entertain them. In the one case I’m going to have to vote.

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Strained Analogies Between Recently Released Films and Current Events: Central Intelligence and Why Gun Laws Don’t Change

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by Matt McKenna

More than the thousands of articles laboriously describing the apocalyptic state of American politics in 2016, the low-brow Kevin Hart comedy Central Intelligence is the most efficient and accurate portrayal of the circus we’ve created out of our Presidential election process. In hindsight, it seems odd to expect long-read think-pieces in periodicals like the New Yorker to shed light on what is less of a democratic election and more of a reality show called “Who Wants to be the President”. Indeed, a run-of-the-mill summer comedy with the crass tagline “Saving the world takes a little Hart and a big Johnson” seems the more appropriate medium to comment on our equally crass election. So perhaps it shouldn't be surprising that director Rawson Thurber’s Central Intelligence isn’t just reasonably funny, but it also provides a legitimate critique of American politics.

Central Intelligence co-stars Kevin Hart and Dwayne “The Rock” Johnson. Hart plays Calvin Joyner, an accountant who is bummed out because he used to be cool in high school, but now he’s boring. Johnson plays Bob Stone, a CIA operative who was bullied mercilessly in high school, but now he’s super jacked. Because Calvin was nice one time to Bob in high school, Bob recruits Calvin to help him on some cockamamie save-the-world mission involving satellites, access codes, and Aaron Paul implausibly portraying a CIA agent. The story, of course, doesn’t make sense, nor was it designed to make sense, which is the first clue the film is actually commenting on American politics.

The humor in Central Intelligence stems from the conflict between the diminutive Calvin and the gargantuan Bob. Calvin is a stuck-up white-collar jerk, and Bob is an naive violence-loving semi-idiot. The film has therefore patterned its leads after the stereotypes of the two major political parties in America; Calvin represents Democrats with their politically correct, holier-than-thou elitism, and Bob represents Republicans with their inability to solve problems in a way that doesn’t involve applying violence to something. Neither party gets a pass in the film–Calvin is frequently the butt of the joke as he sheepishly runs from conflict and is unable to take care of himself. And though he is able to beat people up, the motivation for Bob to develop his physically dominating stature is his feeling emasculated as an adolescent.

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A history of masturbation

Barry Reay in Aeon:

ScreenHunter_2062 Jun. 26 23.10The anonymous author of the pamphlet Onania (1716) was very worried about masturbation. The ‘shameful vice’, the ‘solitary act of pleasure’, was something too terrible to even be described. The writer agreed with those ‘who are of the opinion, that… it never ought to be spoken of, or hinted at, because the bare mentioning of it may be dangerous to some’. There was, however, little reticence in cataloguing ‘the frightful consequences of self-pollution’. Gonorrhoea, fits, epilepsy, consumption, impotence, headaches, weakness of intellect, backache, pimples, blisters, glandular swelling, trembling, dizziness, heart palpitations, urinary discharge, ‘wandering pains’, and incontinence – were all attributed to the scourge of onanism.

The fear was not confined to men. The full title of the pamphlet wasOnania: Or the Heinous Sin of Self-Pollution, and all its Frightful Consequences (in Both Sexes). Its author was aware that the sin of Onan referred to the spilling of male seed (and divine retribution for the act) but reiterated that he treated ‘of this crime in relation to women as well as men’. ‘[W]hilst the offence is Self-Pollution in both, I could not think of any other word which would so well put the reader in mind both of the sin and its punishment’. Women who indulged could expect disease of the womb, hysteria, infertility and deflowering (the loss of ‘that valuable badge of their chastity and innocence’).

Another bestselling pamphlet was published later in the century:L’onanisme (1760) by Samuel Auguste Tissot. He was critical of Onania, ‘a real chaos … all the author’s reflections are nothing but theological and moral puerilities’, but nevertheless listed ‘the ills of which the English patients complain’.

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In Indonesia, Non-Binary Gender is a Centuries-Old Idea

Modern Western culture is slowly acknowledging gender fluidity, but “third genders” and other classifications have existed throughout history.

Jessie Guy-Ryan in Atlas Obscura:

ScreenHunter_2061 Jun. 26 23.03This week, an Oregon judge ruled to allow Jamie Shupe, a 52-year-old former Army mechanic, to list themselves as non-binary—that is, neither male nor female on their driver’s license. The ruling is likely the first time that an individual has been allowed to legally identify as non-binary in the United States, and represents part of a growing effort around the world to extend legal recognition to those whose identities fall outside the masculine/feminine gender binary.

Some might assume that the shift towards viewing gender as fluid or encompassing identities beyond the binary is a novel cultural change; in fact, several non-Western cultures—both historically and today—have non-binary understandings of gender. In Indonesia, one ethnic group shows us that the idea that gender identity is expressed in more ways than two is actually hundreds of years old.

The Bugis are the largest ethnic group in South Sulawesi, Indonesia, and are unique in their conception of five distinct gender identities. Aside from the cisgender masculinity and femininity that Westerners are broadly familiar with, the Bugis interpretation of gender includes calabai (feminine men), calalai (masculine women) and bissu, which anthropologist Sharyn Graham describes as a “meta-gender” considered to be “a combination of all genders.”

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Across the Universe

Steven Wheeler in Inference:

As the 1960s drew to a close, Rainer Weiss was working as an associate professor at MIT’s Department of Physics.1 Asked to teach an undergraduate course on general relativity by the department chairman, Weiss found himself in the unenviable position of teaching an unfamiliar subject. “I had a terrible time with the mathematics,” Weiss recalled, “[a]nd I tried to do everything by making aGedankenexperiment out of it.”2

Weiss’s students were curious about the work of physicist Joseph Weber and, in particular, his attempts to detect gravitational waves. Predicted by Albert Einstein’s theory of general relativity, gravitational waves were a much-debated phenomenon for which no experimental evidence had been found. Weber’s efforts were centered on resonant mass detectors of his own design: suspended aluminum cylinders two meters in length and a meter in diameter fitted with a ring of piezoelectric crystals.3 Weber believed that the cylinders would, in effect, act like giant tuning forks; a passing gravitational wave would ring the cylinders at their resonant frequency. In a 1969 paper published by the Physical Review, Weber claimed to have found evidence for gravitational waves.

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How the New Science of Computational History Is Changing the Study of the Past

From the MIT Technology Review:

Computational-historyOne of the curious features of network science is that the same networks underlie entirely different phenomena. As a result, these phenomena have deep similarities that are far from obvious at first glance. Good examples include the spread of disease, the size of forest fires, and even the distribution of earthquake magnitude, which all follow a similar pattern. This is a direct result of their sharing the same network structure.

So it’s usually no surprise that the same “laws” emerge when physicists find the same networks underlying other phenomena. Exactly this has happened repeatedly in the social sciences. Network science now allows social scientists to model societies, to study the way ideas, gossip, fashions, and so on flow through society—and even to study how this influences opinion.

To do this they’ve used the tools developed to study other disciplines. That’s why the new field of computational social science has become so powerful so quickly.

But there’s another field of endeavor that also stands to benefit: the study of history. Throughout history, humans have formed networks that have played a profound role in the way events have unfolded. Historians have recently begun to reconstruct these networks using historical sources such as correspondence and contemporary records.

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A Stark Nuclear Warning

Jerry Brown in the New York Review of Books:

ScreenHunter_2060 Jun. 26 22.48I know of no person who understands the science and politics of modern weaponry better than William J. Perry, the US Secretary of Defense from 1994 to 1997. When a man of such unquestioned experience and intelligence issues the stark nuclear warning that is central to his recent memoir, we should take heed. Perry is forthright when he says: “Today, the danger of some sort of a nuclear catastrophe is greater than it was during the Cold War and most people are blissfully unaware of this danger.”1 He also tells us that the nuclear danger is “growing greater every year” and that even a single nuclear detonation “could destroy our way of life.”

In clear, detailed but powerful prose, Perry’s new book, My Journey at the Nuclear Brink, tells the story of his seventy-year experience of the nuclear age. Beginning with his firsthand encounter with survivors living amid “vast wastes of fused rubble” in the aftermath of World War II, his account takes us up to today when Perry is on an urgent mission to alert us to the dangerous nuclear road we are traveling.

Reflecting upon the atomic bombing of Hiroshima and Nagasaki, Perry says it was then that he first understood that the end of all of civilization was now possible, not merely the ruin of cities.

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‘I don’t remember a time when words were not dangerous’

Hisham Matar in The Guardian:

HishamI don’t remember a time when words were not dangerous. But it was around this time, in the late 1970s, when I was a young schoolboy in Tripoli, that the risks had become more real than ever before. There were things I knew my brother and I shouldn’t say unless we were alone with our parents. I don’t remember my mother or father explicitly telling us what not to say. It was simply implied and quickly understood that certain words strung together in a particular order could have grave consequences. Men were locked up for saying the wrong thing or because they were innocently quoted by a child. “Really, your uncle said that? What’s his name?” It was as though a listening, bad-intentioned ghost was now present at every gathering. It brought with it a new silence – wary and suspicious – that was to remain in our lives for many years. Even when I was writing my first novel in a shed in Bedfordshire, beside the River Great Ouse, I could feel the disapproving hot breath of the dictator at my neck. It did not matter that I was writing in English and yet to have a publisher; I was nonetheless writing into and against that silence. But back when I was still a boy, when I only lived in one language, that silence, like black smoke from a new fire, was still growing. Lists, drafted by the authorities, were read on television. They contained the names of those to be questioned. That was how, one afternoon, I heard our name, by which I mean my father’s name, read out. He was abroad. He did not return to Tripoli. A year or so later, we left the country to be reunited with him in Cairo where a new life began: new schools and new teachers.

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Why Trump Makes Me Scared for My Family

Aziz Ansari in The New York Times:

Aziz“DON’T go anywhere near a mosque,” I told my mother. “Do all your prayer at home. O.K.?” “We’re not going,” she replied. I am the son of Muslim immigrants. As I sent that text, in the aftermath of the horrible attack in Orlando, Fla., I realized how awful it was to tell an American citizen to be careful about how she worshiped. Being Muslim American already carries a decent amount of baggage. In our culture, when people think “Muslim,” the picture in their heads is not usually of the Nobel Peace Prize winner Malala Yousafzai, Kareem Abdul-Jabbar or the kid who left the boy band One Direction. It’s of a scary terrorist character from “Homeland” or some monster from the news. Today, with the presidential candidate Donald J. Trump and others like him spewing hate speech, prejudice is reaching new levels. It’s visceral, and scary, and it affects how people live, work and pray. It makes me afraid for my family. It also makes no sense.

There are approximately 3.3 million Muslim Americans. After the attack in Orlando, The Times reported that the F.B.I. is investigating 1,000 potential “homegrown violent extremists,” a majority of whom are most likely connected in some way to the Islamic State. If everyone on that list is Muslim American, that is 0.03 percent of the Muslim American population. If you round that number, it is 0 percent. The overwhelming number of Muslim Americans have as much in common with that monster in Orlando as any white person has with any of the white terrorists who shoot up movie theaters or schools or abortion clinics.

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How an internet mapping glitch turned a random Kansas farm into a digital hell

Kashmir Hill in Fusion:

ScreenHunter_2059 Jun. 26 11.39An hour’s drive from Wichita, Kansas, in a little town called Potwin, there is a 360-acre piece of land with a very big problem.

The plot has been owned by the Vogelman family for more than a hundred years, though the current owner, Joyce Taylor née Vogelman, 82, now rents it out. The acreage is quiet and remote: a farm, a pasture, an old orchard, two barns, some hog shacks and a two-story house. It’s the kind of place you move to if you want to get away from it all. The nearest neighbor is a mile away, and the closest big town has just 13,000 people. It is real, rural America; in fact, it’s a two-hour drive from the exact geographical center of the United States.

But instead of being a place of respite, the people who live on Joyce Taylor’s land find themselves in a technological horror story.

For the last decade, Taylor and her renters have been visited by all kinds of mysterious trouble. They’ve been accused of being identity thieves, spammers, scammers and fraudsters. They’ve gotten visited by FBI agents, federal marshals, IRS collectors, ambulances searching for suicidal veterans, and police officers searching for runaway children. They’ve found people scrounging around in their barn. The renters have been doxxed, their names and addresses posted on the internet by vigilantes. Once, someone left a broken toilet in the driveway as a strange, indefinite threat.

All in all, the residents of the Taylor property have been treated like criminals for a decade. And until I called them this week, they had no idea why.

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Who isn’t equipped for a pandemic or bioterror attack? The WHO

Annie Sparrow in the Bulletin of the Atomic Scientists:

Business and politics have always influenced international efforts to solve public health problems. Unfortunately that remains as true in the era of Ebola, Zika, and bioweapons as it did in the 19th century, when cholera—a disease that spreads more quickly and kills faster than any other pathogen—began its deadly global march. Beginning in 1817, cholera spread relentlessly from the Ganges Delta across Asia, reaching Europe in 1830 and North America in 1832, taking millions of lives along the way. It ultimately precipitated the first of 14 International Sanitary Conferences in 1851. At the time, the typical response to cholera was to quarantine ships traveling from affected areas, but this practice, which slowed commerce, was expensive and unpopular. The World Health Organization (WHO), whose origins lie in those early cholera pandemics, says they “were catalysts for intensive infectious disease diplomacy and multilateral cooperation in public health.” But in fact, the first six International Sanitary Conferences were entirely unproductive due to conflicting interests: government fears about losing profits from trans-Atlantic trade took priority over the need to reduce the international death toll. Consensus was achieved only at the seventh conference in 1892, after the opening of the Suez Canal for use by all countries made standardized quarantine regulations necessary. The participating states then unanimously approved and ratified the first of four International Sanitary Conventions, the forerunner of today’s International Health Regulations, which commit all governments to work toward stopping the spread of infectious disease and other global health threats.

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In Parenthesis: in praise of the Somme’s forgotten poet

David Jones, Lourdes, 1928, Kettle's Yard_mainOwen Sheers at The Guardian:

In his introduction, TS Eliot hailed In Parenthesis as “a work of genius”. Graham Greene placed it “among the great poems of the century”. WH Auden claimed “it does for the British and Germans what Homer did for the Greeks and Trojans”; he wrote to Jones to tell him “your work makes me feel very small and madly jealous”. On entering a party and seeing Jones sitting in the corner, WB Yeats bowed low to “salute the author of In Parenthesis”.

Perhaps the most considered response came from Herbert Read, an ex‑solider himself, whose reviews of In Parenthesis are shot through not just with admiration, but also a sense of gratitude. “For the first time,” he wrote, “all the realistic sensory experiences of infantrymen have been woven into a pattern which, while retaining all the authentic realism of the event, has the heroic ring which we associate with the old chansons de geste … a book which we can accept as a true record of our suffering and as a work of art in the romantic tradition of Malory and the Mabinogion.”

Read’s acknowledgment of In Parenthesis’s ability to simultaneously contain the contemporary and the ancient, the literary and the demotic, the realistic and the mythic, and of the “pattern” underpinning its whole, are key to understanding the power of Jones’s achievement.

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Calvin Trillin Looks Back on 50 Years Covering Black Life in America

26gilliam-sub-blog427Dorothy Butler Gilliam at The New York Times:

In 1964, Trillin captured an exchange with King that speaks to our current political moment. King was flying to Mississippi when a young white man with “a thick drawl” and self-identifying as a Christian leaned across the aisle and questioned whether King’s movement was teaching Christian love or inciting violence. King explained that “love with justice” was a basic tenet of the nonviolent civil rights movement, and asked him what he thought of the new civil rights law. The inquisitor said he hadn’t read it.

“I think parts of it just carry on the trend toward federal dictatorship,” the man said. King later asked him if he was going to vote for Goldwater, the Republican nominee. “Yes, I expect I will,” the man answered. “I’ve voted for losers before.” King shook his head as the white man exited the plane. “His mind has been cold so long, there’s nothing that can get to him.”

In today’s hostile political climate, when an air of fatalist resentment seems to emanate from supporters of Donald Trump, that conversation, with a change of names, could easily occur.

Demonstrating that racism extended beyond the South, Trillin wrote about the successful battle whites waged against integration in Denver schools in 1969. In “Doing the Right Thing Isn’t Always Easy,” he patiently debunks the coded language of white supremacy the segregationists used to warn of “forced mandatory crosstown busing on a massive scale.” By 2015, Trillin writes in an update, most of the city’s white residents have fled to the suburbs, and “only 29 of Denver’s 188 schools could be considered integrated.”

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Destruction and Sorrow beneath the Heavens by László Krasznahorkai

9780857423115Paul Kerschen at The Quarterly Conversation:

Though László Krasznahorkai’s early fictions were set in his native Hungary, over the past two decades he has turned to settings that cover the globe across much of historical time. He is suited to this wide range by his erudition, by the air of conviction in his long, oscillating sentences; above all because he is a writer temperamentally nowhere at home. His protagonists are wanderers, sometimes easily distinguished from their author, sometimes less so. Whether in Renaissance Florence, Muromachi Japan, New York or Berlin, they meet their surroundings with the foreigner’s mixture of curiosity and fear, and can count no homeland but the symbolic one of art.

Destruction and Sorrow beneath the Heavens is the most recent Krasznahorkai volume to appear in English; though it carries the subtitle “Reportage,” it differs from the fiction only in that its confusion and longing are not joined to outright peril. An authorial double—“Mr. László” or “Comrade László” in the Hungarian original, in translation called (at the author’s direction) László Stein—travels to China, together with a long-suffering interpreter, to seek out remnants of classical Chinese culture: “this last ancient civilization, this exquisite manifestation of the creative spirit of mankind.” The phrase “beneath the heavens” is a rendering of tian xia, the Confucian concept of an ordered universe in which earth is brought in accord with heaven. Structurally, Krasznahorkai is a religious writer, and his quests after aesthetic revelation take the form of pilgrimages; but in this case, the pilgrimage goes quickly and spectacularly awry. The scenic town of Zhouzhuang is horribly transformed to a flea market the moment the tourist buses arrive; the fabled “First Spring Under Heaven” in Zhenjiang has become a filthy, stagnant pond; the adjoining Jiangtian monastery, while keeping its outward form, has inwardly ceased to exist.

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The talent trap: why try, try and trying again isn’t the key to success

Ian Leslie in New Statesman:

AngelaAngela Lee Duckworth begins her book with a story that frames her life’s work as an act of retribution against her father. When Duckworth was a child, her dad would tell her, repeatedly, “You know, you’re no genius.” He was, she says, expressing the worry that she wasn’t intelligent enough to succeed in life. In 2013, aged 43, Duckworth felt able to show her father how wrong he had been. She was awarded a prestigious fellowship for her work on the relationship between character and success – specifically her identification of “grit” as a critical component, perhaps the critical component, of educational achievement. The unofficial name of the award: the MacArthur Genius Grant. Or maybe she proved him right. Duckworth’s work casts doubt on the very idea of genius. Her aim is to knock talent off its pedestal and replace it with strategically applied effort. Successful people, she argues, display a blend of passion and perseverance. They are motivated primarily by a love of what they do, as opposed to money or fame. They set long-term goals and seek to get better at what they do every day. They never give up, no matter what setbacks they suffer. Because grit is a practice, and not a gift, it can be learned.

Duckworth’s own success has been dazzling. Grit is already one of the best-known and most widely influential ideas to emerge from psychology in the past decade. Duckworth’s Ted talk has been viewed well over eight million times. She has advised the White House, the World Bank, the National Basketball Association and Fortune 500 chief executives. In the US, universities and schools are implementing programmes to raise grit levels among their students. In the UK, the Education Secretary, Nicky Morgan, has announced measures to instil grit in disadvantaged pupils.

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In a New Novel, a Secular Muslim American Rejects the Burden of Labels

Pauls Toutonghi in The New York Times:

EtrazEnter 2016 — the election year of our discontent — which threatens to topple the country into a social chaos unseen since the late 1960s. Nearly two-thirds of Republican voters approve of a temporary ban on Islamic immigration. A mainstream presidential candidate has made xenophobia a central tenet of his campaign. In the first three months after terrorists attacked Paris in November, the rate of hate crimes against Muslims tripled in the United States. This is not an America with a robust and nuanced public discourse. And so the question must be asked: How much is our cultural marketplace to blame — where the narratives that sell most widely are ones that, arguably, do little to advance understanding, or even dialogue, across difference?

Into this maelstrom comes Ali Eteraz’s debut novel, “Native Believer.” Eteraz is the author of a memoir, “Children of Dust” (2009), that chronicled his journey from boyhood in a small town in central Pakistan to sex-obsessed adolescence in the American South to pious Islamic young adulthood to the broadly humanist activism that has marked his past 10 years. “Children of Dust” is, essentially, a description of the birth of “Ali Eteraz” — a pen name that translates to “Noble Protest,” which the author adopted several years after Sept. 11. Eteraz’s publisher has taken an admirable risk with “Native Believer.” I found myself wondering — as I sped through its pages with alternating interest, awe and queasiness — whether Eteraz had set out purposefully to challenge his imagined readership, to engage in a kind of “noble protest” against the demands of literary commerce. I believe this novel will offend as many readers as it captivates. It is unflinching in its willingness to transgress taboos, whether those taboos are religious, sexual or both. And in the end, “Native Believer” stands as an important contribution to American literary culture: a book quite unlike any I’ve read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam. This is a novel that says (to borrow a line from Aimé Césaire’s “Discourse on Colonialism”), “Any civilization that chooses to close its eyes to its most crucial problems is a stricken civilization.”

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