Wednesday Poem

Telefunken

From years of toiling I went colour-blind,
emitted sparks, was thumped, gave up the ghost.

Now drab and dumb I stand out in the street
and can’t help thinking of that empty mask

that’s gazed and gaped at me so shamelessly.
Parroted me. Adored. Left me kaputt.

The jerk. That he could fail to see how I
ate time so lifelike from his eyes. The jerk.

I gave him Hitchcock, tits, disasters, sikhs.
I gave him eyes. Fierce fighting. Northern lights.

But I’m thrown out. And he sees more TV.
Soon I’ll be carted off and dead hours by

the kilo will die with me at the rubbish tip.

by Menno Wigman
from Dit is mijn dag
publisher: Prometheus, Amsterdam, 2004
translation: 2007, John Irons

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Time for some royal prerogative – let’s give Kate’s child a choice

Huw Price in The Conversation:

ScreenHunter_110 Jan. 29 16.05My main puzzle – about everyone who expresses views on these matters, from the most loyal monarchists all the way through to staunch republicans – is their apparent indifference to Baby Cambridge’s own views about whether she or he wants to be Queen or King of England (let alone Australia).

“That’s ridiculous,” you say, “The baby is not even born yet – how could we ask her?” Of course not. She (let’s call her she) won’t be in a position to decide for the best part of twenty years, at the very least – and perhaps not for years after that, since many young people don’t make up their minds how they wish to spend their lives until well into their twenties or thirties.

But that’s the point. Baby Cambridge’s peers – your children and grandchildren – will all have the opportunity that we now take for granted, to decide for themselves what to make of their lives. On what possible grounds are we, or the state, or even her parents, entitled to deny the same opportunity to her?

That’s the real question we should all be asking, in my view, and it is not about discrimination in favour of royal children. It is about discrimination against them – about the denial in their case of basic freedoms we take for granted for everyone else.

More here.

love mountain

Huey-1

Leonard Knight’s first message to the world—GOD IS LOVE—was supposed to be airborne, painted on the side of a hot-air balloon. The balloon itself was a minor miracle of persistence, scraps patched together over years. He even built a stove to inflate it, drove the whole contraption out to California’s Salton Sea, about an hour north of the Mexican border. The day was clear, good conditions. But the thing just wouldn’t lift. Burdened by his failure, Knight prayed. God’s answer was to build a mountain. Photographer Aaron Huey first met Knight in 2006, during a road trip from Los Angeles to Santa Fe. Knight was seventy-five, and still strong enough to carry a forty-pound bucket of adobe up a thirty-foot ladder, but too weak to carry the eighty-pound hay bales he’d been using to build Salvation Mountain for nearly thirty years. Huey lent a hand, and a dozen hay bales later he experienced his own epiphany.

more from Aaron Huey’s photographs at the VQR here.

decomposing in the sun

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The entrance to Los Angeles’s original subway system lies hidden on a brushy slope next to an apartment building that resembles a Holiday Inn. Known as the “Hollywood Subway,” the line opened in 1925; ran 4,325 feet underground, between downtown and the Westlake District; and closed in 1955. After Pacific Electric Railway decommissioned the tracks, homeless people started sleeping in the old Belmont Tunnel. Crews filmed movies such as While the City Sleeps and MacArthur in it. City officials briefly used it to store impounded vehicles, as well as first aid and 329,700 pounds of crackers during part of the Cold War. By the time the entrance was sealed around 2006, graffiti artists had been using it as a canvas for decades, endowing it with legendary status in street mural culture, and earning it numerous appearances in skateboard and other magazine shoots. Now the tunnel sits at the end of a dead-end street, incorporated into the apartment’s small garden area, resembling nothing more than another spigot in Los Angeles’s vast flood control system.

more from Aaron Gilbreath at the Paris Review here.

Cultured chimpanzees

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Boesch doesn’t go as far as Frans de Waal in being willing to attribute to chimpanzees the rudiments of a moral sense that could be argued to underlie manifestations of what looks like righteous indignation at perceived unfairness. This, and the related question of capacity for shame or guilt which some observers have claimed to detect not only in apes but in other species, is perhaps the topic of most interest to a wider readership. But here, the hardcore opposition comes not only from psychologists or anthropologists but from philosophers. For Richard Joyce, for example, who in his The Evolution of Morality (2006) took issue directly with de Waal, “moral judgements cannot be legitimately and seriously ascribed to a non-language-user. Ergo, no moral judgements for chimps”. Well, maybe. Or maybe that categorical pronouncement will have to be revised in the face of well-validated empirical evidence which cannot be dismissed out of hand. Meanwhile, the topic on which Boesch reports some of his most intriguing observations is chimpanzees’ attitude to death. What conclusions are we to draw when they are seen to guard the bodies of dead group members, give immediate help to orphans, cover a dead body with leaves, and show signs of “sorrow” when leaving the dead and signs of “respect” by keeping youngsters at bay? “If”, says Boesch, “chimpanzees had an understanding of death, these behaviors would make perfect sense to us. If not, they make you wonder, to say the least”.

more from W. G. Runciman at the TLS here.

Victoria Pitts-Taylor on Feminism and Science

Over at Rationally Speaking:


In this episode, Massimo and Julia discuss sociology and feminism, with special guest Victoria Pitts-Taylor, professor of sociology at the Graduate Center of the City University of New York. Victoria explains how feminists in sociology are dealing with results in neuroscience and evolutionary biology, especially regarding the question: How much inborn difference is there really between women and men? Massimo and Julia challenge Victoria on some academic feminist views, and investigate how the fields of sociology and academic feminism reach their conclusions — what methods do they use, and how would we know if they were wrong?

Carnal Ethics

Anncahill

Richard Marshall interviews Ann Cahill in 3:AM Magazine:

3:AM: You say: “Intersubjectivity says the relation is first and constitutes the being of the parties involved in it, and the parties involved constitute the relationship… As humans we can not come into existence without someone caring for us. Our very being as existence is being with another. … Existence is intersubjective.” Does all your work rely on a notion of intersubjectivity? Is this connected to notions of postmodernity in that it decentres identity: are you a postmodernist philosopher?

AC: Yes, intersubjectivity is a strong thread that runs through virtually all of my work. It’s absolutely connected to postmodern theories that challenge the modern notion of the self as autonomous, self-contained, and ideally free from the demands of the other. I do identify as a postmodernist philosopher, and tend to work from and with postmodern thinkers such as Foucault, Butler, Irigaray, etc. But I don’t think the concept of intersubjectivity is contrary to identity, unless you understand identity as necessarily innate and stable. Focusing on intersubjectivity has led me to understand identity more as location. Just as one can’t have a location without reference to other entities, one can’t have an identity exception in relation to other beings. Which is not to say that one’s identity is reducible to those relations, or that one could predict aspects of a person’s identity simply by extrapolating from those relations; such assumptions would deny the dynamism of intersubjectivity. Identity and relations are co-constituting: who I am (at this moment, at this place, keeping in mind that identity is always a process) affects the kind and quality of relations I engage in, just as those relations simultaneously affect my identity. I should emphasise that I’m thinking here of the location of a being who can move, not the location of a static or fixed object (if such a thing even exists).

3:AM: You say that intersubjectivity is a ‘big word’, and by that you don’t just mean they are large but that they are unfamiliar. You defend them don’t you?

AC: Ah, I do defend them. I love big words. I understand the critique of accessibility, that is, that big words can serve to alienate and intimidate readers, and I certainly believe that philosophy (especially feminist philosophy) has a responsibility to be accountable and relevant to the real lives of human and other-than-human beings. When using big words gets in the way of that responsibility, we need to be careful. But big words also have the capacity to break through the fog of dominant assumptions, to do the hard work of substantially reframing familiar problems or questions so that we can gain new and better leverage.

Is Philosophy Finally Without God?

Piper-vangelder

Daniel Tutt reviews Christopher Watkin's Difficult Atheism: Tracing the Death of God in Contemporary Continental Thought, in Berfrois (image: Warkton, Northamptonshire: Monument by Vangelder, 1775, John Piper, 1964):

Declaring oneself an “atheist” isn’t what it used to be. Growing numbers of Generation Y prefer to remain agnostic, which is why so many of them go by the “nones,” or those with no religious preference. My wife used to work at a large university and she told me that on standardized tests many of the students write in “human” in the ethnic and racial identity box. A friend of mine launched a social media campaign to have “Jedi” recognized as a religion in Great Britain. It took off like wild fire and in 2006; Jedis were the fourth largest religion in all of Great Britain. Occupying these undecided identities: “none,” “Jedi” and “human” make a lot of sense. In so doing, one renders no judgment upon the status quo, nor does the person negate traditional religious identities for which many of us still have some allegiance to.

The truth is, declaring oneself an atheist is a difficult process, but we’ve lost touch with this difficulty. Kierkegaard notoriously said “the biggest problem with Christians today is that no one wants to kill them anymore.” What I think he meant by this is that a healthy sense of atheism is good for religion, and lest we forget, Christianity is perhaps the most resilient religion the world has seen. This resiliency is due in part to the fact that Christianity can handle a complicated belief in God and still retain followers. Hegel saw in Christ’s utterance on the cross, “my father, why have you forsaken me” a splitting in two of the absolute itself, a splitting in two of God. What this split represented was the death of the metaphysical God. Nietzsche’s “God is dead” mostly had to do with an epistemological death of suprasensory truths, a death that ushered in a new type of nihilism.

Most atheists today that are firm in their convictions tend to be in a trance by the so-called “Four Horsemen of the New Atheism.” Despite news of their best-selling whirlwind and the larger discourse that has risen from it is on the decline, to the point of them now losing their followers, much of atheist identity is intertwined with Dawkins, Hitchens, Dennett and Harris. The weapons they use against religion are as tired as they are outdated: Darwinian natural selection and evolution (Richard Dawkins), naturalizing reductions of religion via general science (Daniel Dennett), brash literary humanism (Christopher Hitchens) and quite paradoxically, racist appeals to reason (Sam Harris).

For the none’s and the atheists, as well as for the religious, I might add, a healthy debate about God is vital to sustaining a larger dialogue about religion, morality, and ethics in the public sphere. But we’ve been deprived of such a discourse. This is why it is a perfect time to ask: what is/can/should philosophy contribute to the question of God and atheism?

Nadeem Aslam: a life in writing

From The Guardian:

Nadeem-Aslam-010Nadeem Aslam was years into his second novel when the 11 September attacks took place. “Many writers said the books they were writing were now worthless,” he recalls. Martin Amis, for one, felt his work in progress had been reduced to a “pitiable babble”. But Aslam's saddened reaction to 9/11 was one of recognition. “I thought, that's Maps for Lost Lovers – that's the book I'm writing.” The link might seem tenuous to a novel set many miles from the twin towers or Bin Laden's lair, in an almost cocooned urban community of Pakistani migrants and their offspring in the north of England, where Aslam grew up from the age of 14. The novel was almost pastoral in its tracing of the seasons, with riffs on jazz, painting and spectacular moths. Each chapter was as minutely embellished as the Persian and Mughal miniatures Aslam has in well-thumbed volumes on his coffee table. But the plot turns on a so-called honour killing, as an unforgiving brand of Islam takes hold. In his view, and above all for women, “we were experiencing low-level September 11s every day.”

Maps for Lost Lovers, which took 11 years to write, and was published in 2004, won the Encore and Kiriyama awards (the latter recognises books that contribute to greater understanding of the Pacific Rim and South Asia). It was shortlisted for the Dublin Impac prize and longlisted for the Man Booker prize. His debut, Season of the Rainbirds (1993), set in small-town Pakistan, had also won prizes, and been shortlisted for the Whitbread first novel award. The books confirmed Aslam as a novelist of ravishing poetry and poise – admired by other writers including Salman Rushdie and AS Byatt.

More here. (Note: While I have read all his books, Maps for Lost Lovers remains my favorite. I strongly recommend it)

That Daily Shower Can Be a Killer

Jared Diamond in The New York Times:

DailyYou see, falls are a common cause of death in older people like me. (I’m 75.) Among my wife’s and my circle of close friends over the age of 70, one became crippled for life, one broke a shoulder and one broke a leg in falls on the sidewalk. One fell down the stairs, and another may not survive a recent fall. “Really!” you may object. “What’s my risk of falling in the shower? One in a thousand?” My answer: Perhaps, but that’s not nearly good enough. Life expectancy for a healthy American man of my age is about 90. (That’s not to be confused with American male life expectancy at birth, only about 78.) If I’m to achieve my statistical quota of 15 more years of life, that means about 15 times 365, or 5,475, more showers. But if I were so careless that my risk of slipping in the shower each time were as high as 1 in 1,000, I’d die or become crippled about five times before reaching my life expectancy. I have to reduce my risk of shower accidents to much, much less than 1 in 5,475. This calculation illustrates the biggest single lesson that I’ve learned from 50 years of field work on the island of New Guinea: the importance of being attentive to hazards that carry a low risk each time but are encountered frequently.

I first became aware of the New Guineans’ attitude toward risk on a trip into a forest when I proposed pitching our tents under a tall and beautiful tree. To my surprise, my New Guinea friends absolutely refused. They explained that the tree was dead and might fall on us. Yes, I had to agree, it was indeed dead. But I objected that it was so solid that it would be standing for many years. The New Guineans were unswayed, opting instead to sleep in the open without a tent. I thought that their fears were greatly exaggerated, verging on paranoia. In the following years, though, I came to realize that every night that I camped in a New Guinea forest, I heard a tree falling. And when I did a frequency/risk calculation, I understood their point of view. Consider: If you’re a New Guinean living in the forest, and if you adopt the bad habit of sleeping under dead trees whose odds of falling on you that particular night are only 1 in 1,000, you’ll be dead within a few years. In fact, my wife was nearly killed by a falling tree last year, and I’ve survived numerous nearly fatal situations in New Guinea.

More here.

Tuesday Poem

Frost Over Ireland
.
Roses hang their withered heads
Beneath the white cap of Christmas frost.
The ones without hope, without shelter,
Shiver in the hollow of the cold.

Terrified at the hunger upon them,
Small birds peck at emptiness.
Here in the snow, redwings from the East
Search in the frosted absences.

From the dark heights of a fir tree
The magpie’s greedy eye observes
The songbirds’ growing panic
When a fat rat sends them scurrying.

It is the small bird that struggles
While the predator takes his ease.
In this blank hardness without mercy
Will they find even a worm’s worth of hope?

It is the berries of ivy and holly
Who give the wren its bed and board;
Buds glistening under the frosty cap
Are the waiting June where songbirds are.

by Bríd Ní Mhóráin
from Mil ina Slaoda
publisher: An Sagart, Dingle, 2011
translation: 2012, Thomas McCarthy

Carnal Knowledge

by Tom Jacobs

Nobody knows anyone. Not that well.

~ Miller’s Crossing

MoonThe midnight thoughts we have when we are kids are amongst the most profound we will ever have, even if we are not in a position to understand them at the time. How do I know the color I see as red is the same color of red for you? What happens after you die? How do I know that my life is not a dream?

These are ridiculously important and childish questions. The kind of questions that used to keep you up at night and that now seem safely relegated to the category of pointlessness (in part because possibly unanswerable…what evidence could one ever marshal to “prove” or even convincingly argue one’s case one way or the other?). But the heart, and somewhere in the back of one’s mind, the mind too, knows, that these questions matter. They will not go away. But there’s work to do and subways to get and schedules to keep. Whether or not you really exist kinda fades into the shadows, along with one’s fear of ghosts. Hell, it’s not even in the background. It’s offstage, somewhere in the wings, occasionally whispering stage directions. But not much more than that. But still it whispers.

Sometimes the moon appears in the middle of the day, spang in the middle of the cerulean familiar. It’s always seemed a damned strange thing, this midday moon. It’s a nighttime thing, the moon, the sort of thing that draws out freaks and lunatics and people who are up to the devil’s business. And yet, the moon is there, hovering over the horizon, at midday no less, offering a kind of vague threat or prophecy. Geosynchronous with us, never letting us see its ass end. As Pink Floyd pointed out long ago, there’s a dark side to it, even if we never get to see it. And this is what creates and cultivates the notion of mystery. Things we know are there but have never seen. The substance of things hoped for, but have never felt or seen (to paraphrase).

My thumb is more or less exactly the same size as the moon is. My thumb is actually usually bigger than the moon, depending on how far it is from my head when I point it towards the sky. How, then, do I know that the moon is, at least in relation to my thumb, immense? How do I know this?

Faith, mostly, with a bit of reason and textbook understanding of physics and geometry thrown in. Even if I was born yesterday (which I wasn’t…I age, I age, and it fills me with a sense of Gnosticism, the felt sense that something has been lost, something important with the advent of consciousness), but even if I was born yesterday, I would never believe you when you tell me that the moon is a moon, orbiting in some unlikely revolution around our earth. And you tell me the earth is four billion years old? Get outta here. But I do trust people who tell me so and I believe them. Why is this so? Is it worth anyone’s time to try to worry over or try to verify these things? Pragmatism comes to the fore to point our attention to things worth thinking about, even if on some deeper level, questions remain.

Read more »

Monday Poem

That's All She Wrote

There sits my self
near a window in the sun
its feet up on a sill

There, beside the begonia
whose rose-tinged leaves are satin,
succulent and still

then, as now, taking down
and making up the tale of itself,
a concocting troubadour
in sight of a star above a pine,
past noon remembering,
telling the story of itself to itself
becoming itself,
spinning its character
from threads of the old and
new seconds it stitches into
its suit of being,
as clear as the nose
on the face of itself
(but strange too as it tells and tells),
who reads between the lines of itself
following the story's lead
back to the start of itself
in the beginning
before which, and beyond the end leaf,
there's nothing to tell itself
of itself —that's all she wrote
more would be as silent
as a song without a note

by Jim Culleny 1/23/13

Why I Can’t Go Back to Philadelphia: A Reflection on the Memoir

by Mara Jebsen

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In August in Philadelphia, the sun leaks across red bricks and washes them down in foamy hot colors like a peach set on fire. Grown-ups sit barefoot on stoops and kids skip under rainbows of fire hydrant spray, which veil their bare arms in incandescent mist. This happened in 1985, perhaps it happens now. It keeps on happening in the diamond in my mind.

My mother and I encountered the city of Brotherly Love in 1983. It did not begin well. That year, her father, a splendid Norwegian gentleman who carried great mischief and light inside him; whose dark hair bristled around his bald pate like Caesar’s wreath, died on a tennis court. He was not yet sixty. This catastrophe blew the universe into grayness, into a sort of deep ash-color that billowed and swallowed even my mother’s golden head.

We’d been living in Benin, in West Africa. When we arrived in Philly I was six; she was thirty-one. We’d just spent two years being jolly and tropical and adventurous. There had been sand castles and palm trees and parties and villages, and chickens to chase. There had been hundreds of friends for both of us, and bright, homemade cotton dresses, paper hats, a parrot, puppet theaters, and my mother had gone dancing under the palm trees to zouk music in her strappy high-heel sandals.

But she was a serious person, basically, and had gotten a spot as a PHD candidate in folklore at the University of Pennsylvania. We took a one-bedroom in the ugliest little stucco building on the last ‘nice’ street between South Philly and Center city, so that I could go to the ‘good’ public school. For two years we were sour and sad and serious.

In 2006, in New York, the poet Philip Levine told me, with that wicked and often charming humor of his, that my poem was “very interesting,” but that he “didn’t want to hear the memoirs of anyone under 40.” He didn’t say it mean. I was 26 and saw his point. I was getting ahead of myself—I wasn’t old enough to look back. Still I have that urge, because of the colors and the gemstone-feeling.

In 1986 these ‘colors’ came. I suppose this is acculturation? It really was as if the first two years were a muddy black and white, a dour Kansas, but 1986 was Oz. My mother got a part-time job as a delivery person for a florist. We drove every street in Philadelphia in a silver van crammed with Birds of Paradise. From about this moment my memories begin to form like a series of complicated kaleidoscopes, the red and yellow and green diamonds spinning

I am not sure that this is entirely a trick of memory.

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Some notes on the Shia-Sunni conflict

by Omar Ali

“Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living.” (Karl Marx)

Sarmad 03-786777Shia killing in Pakistan started in earnest in the 1980s and proximate causes include the CIA’s Afghan project, the Pakistani state’s use of that project to prepare Jihadi cadres for other uses, the influence of Saudi Arabia and modern Takfiri-Salafist movements, the rivalry between Iran and its Arab neighbors and so on. Some aspects of this (especially in light of the history of Pakistan) are covered in an article I wrote earlier . Here I want to discuss a little more about the historical background to this conflict. The aim is to provide a brief overview of how this conflict has played out at some points in Islamic history and to argue that if both Shias and Sunnis are to live amicably within the same state, the state needs to be secular. The alternatives are oppression of one sect or endless conflict.

The origins of the Arab empire lie in the first Islamic state established in Medina under the leadership of the prophet Mohammed (this historical narrative has been criticized as being too quick to accept the various histories generated a century or more later in the Ummayad and Abbasid empires; skeptics claim that the early origins of the Ummayad empire and its dominant religion may be very different from what its own mythmakers later claimed. But this is a minority view and is not a concern of this article). The succession to the prophet became a matter of some controversy (primarily on the issue of Ali’s claim to the caliphate) and tensions between prominent companions of the Prophet eventually spilled over into open warfare (the first civil war). This civil war had not yet been finally settled when Ali was assassinated and Muavia, the Ummayad governor of Syria, managed to consolidate his rule over most of the nascent Arab empire. Ali’s elder son Hassan, eventually renounced his claim and settled terms with Muavia, leading to a period of relative peace. But when Muavia died and his son Yazid took over in the Ummayad capital of Damascus, there was a challenge from Ali’s younger son Hussain. This ended with the famous events at Karbala, where Hussain and most male members of his extended famly were brutally killed by a large Umayyad force. Supporters of Ali and opponents of the Ummayads (the two categories were not always synonymous) launched a series of revolts against various Ummayad rulers, including several led by different members of the extended family of Ali (and by extension, by Hashemites; since in tribal Arab terms, this was also a struggle between the Hashemite clan and the Ummayad clan). During this time the supporters of Ali and his family (Shia means partisan, as in partisan of Ali) developed their own version of Islamic history in which Ali was the rightful successor to the prophet and his right was usurped by the first three caliphs. They also developed various notions about the special status of Ali and his family. Yazid and his Ummayad successors were thus (with varying intensity) regarded as illegitimate rulers and various Shia groups formed natural foci of opposition to Ummayad rule.

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Poem

BETTER A DOG THAN YOUNGER BROTHER

—Persian proverb

When did I start seeing him father-figure?
It wasn’t an endearment shining shoes
for my older brother. Himalayas
shaped his character. I couldn’t call out

his name. “We don’t address our father
using first name, Harry the shrink said.
“He can’t help but see you as kid brother
but, remember, he gets into his pants
as all men do, one leg follows the other.
Banish imaginary gods. Demolish

the ego, for a seed mingles into dust
before blooming. The world is vast. Plumb
your own universe. Forgive your father
for new wife younger than his daughter.”

More poems by Rafiq Kathwari here.

Martin Moran’s ALL THE RAGE

by Randolyn Zinn

Last week Martin Moran performed a private run-thru of All The Rage at a midtown rehearsal room for his director Seth Barrish, stage managers, assistants, a friend, and — me.

Mmoran headshot_msussman

Photo by M. Sussman

Moran is a well-known actor and memoirist who goes public with his private musings, seeking where the disparate threads of his life intersect, especially the doubts, guilts and misdeeds that trouble him. He discerns patterns and consequences and then presents them as questions in performance, checking in with the wider world beyond his personal preoccupations.

His latest solo performance piece All The Rage is now in previews at the Peter Jay Sharp Theatre in New York City. Moran has done this sort of thing before. In 2004 he brought his Obie© award-winning The Tricky Part: A Boy’s Story of Sexual Trespass, A Man’s Journey to Forgiveness to the stage before it was published as a book.

After the run-thru (a compact 70-minutes), Martin and I walked to a nearby restaurant to chat about his process.

Randolyn Zinn: I was so moved by your story and how you tell it, the ease with which you make an audience feel focused and connected to your world. I suspect that your theatrical presence, while casual and charming, belies a highly sophisticated set of skills you've developed as an actor. And then there’s your terrific script. The piece moves effortlessly from topic to topic and locale to locale: from Manhattan to Denver to South Africa and back. How did the idea first present itself?

MARTIN MORAN: Every time I make a piece as a storyteller, it’s an imperative, like a knocking in my chest.

It all began with my stepmother. I started writing about my relationship with her because it’s the first time in my life that I actually felt such an outrageous hatred for another human being. That feeling frightened me. Around the same time, my home town newspaper ran a review of my book, The Tricky Part, and it felt like the village elder was saying Martin Moran has no testosterone, why does he not blame his abuser, why is he so mellow, how will this boy ever move on??? And that really threw me for a loop. When I handed my book to a radical feminist to blurb, she said something like Oh Marty your book is so beautiful but where is your anger? And audience members would say in talk-backs after that show, Where is your anger? It all really freaked me out. I thought I had explored my subject, but maybe, I thought, I’m not finished after all, because I skipped an entire realm of human emotion.

RZ: So this piece is a quest to understand anger, your anger…

MARTIN MORAN: Yes. And how anger and compassion can live side by side, like a dance. Of course, there are things worth being angry about and, in a strange way, anger can fuel understanding for how we’re one, connected. We’ve all been wounded somehow. Siba, the man seeking asylum I translated for, was a torture victim. I was abused as a kid. Everyone has something that has sliced through them. So that wound calls us to examine what it is to embrace the reality of why is it we hurt each other and/or why we reach a sublime place of understanding. Perhaps in this piece I’m trying to forgive myself for forgiving.

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Wittgenstein’s Master: Frank Ramsey, the genius who died at 26

AC Grayling in Prospect:

ScreenHunter_110 Jan. 28 10.50Frank Ramsey was 26 years old when he died after an operation at Guy’s Hospital in January 1930. In his short life, he had made lasting contributions to mathematics, economics and philosophy, and to the thinking of a number of his contemporaries, including Ludwig Wittgenstein.

When I taught at St Anne’s, Oxford during the 1980s, I was introduced by my colleague Gabriele Taylor to Ramsey’s sister, Margaret Paul, by then retired from teaching economics at Lady Margaret Hall college. As with anyone with some knowledge of the fields of enquiry Ramsey influenced, I was immediately recruited into helping with her research into his life and thought, though in a minor capacity; she had a formidable array of other helpers besides, from eminent philosophers like Taylor and PF Strawson onwards.

Frank Ramsey was 18 when Margaret was born, so her own memories of him were those of a little girl. A large part of her motivation in writing about him was to get to know him. In this quest she was equally tireless and scrupulous. Most aspects of his work require advanced technical competence, but she was determined to understand them; an afternoon at her house talking about him could be as gruelling as it was educative.

Her memoir has now been published. It is a remarkable book, a window not just into a prodigious mind—Ramsey translated Wittgenstein’s Tractatus as a second year Trinity undergraduate, simultaneously publishing original work in probability theory and economics—but into the amazingly rich intellectual world of his day. The book’s roll-call includes John Maynard Keynes, Bertrand Russell, GE Moore and Wittgenstein, and the mise-en-scène equals it: Ramsey’s father was president of Magdalene college at Cambridge, his famously bushy-eyebrowed brother, Michael, later became Archbishop of Canterbury, and Ramsey himself, after scholarships at Winchester and Trinity, became a fellow of King’s, aged 21.

Suffering unrequited love for a married woman drove Ramsey to Vienna to be psychoanalysed by one of Freud’s pupils. It was there that he met Wittgenstein, spending hours every day in conversation with him, and later helping Keynes to bring him back to Cambridge. In the last year of his life, the 26-year-old Ramsey was the 40-year-old Wittgenstein’s nominal PhD thesis supervisor, the thesis being the Tractatus Logico-Philosophicus itself.

More here.