From Huffington Post:
We came across Sarah Ferguson's “Hillary & I” series a while back, and marveled at the coy and arresting paintings of the Secretary of State. We just never thought of Hillary in that way before. But after “Texts from Hillary” we began to seriously consider the multiple facets of this dynamic woman. And then we saw the Buzzfeed article, where a nude Hillary gazed down upon us from a lonely New York apartment window. Where did this come from? And who would paint such a thing? We had to ask the artist about it. Sarah Ferguson was there to answer our queries.
HP: On “In Belief We Change,” you riff on “Diamonds are a girl's best friend”: “But when mean affairs / are a girl's best friend, / a lass needs a lawyer / and a hard-boiled employer.” How do you see Hillary as embodying Marilyn Monroe?
SF: I’m not sure that I do. In fact the paintings of Hillary as Marilyn embody someone more like Anna Nicole Smith. It’s more of a caricature of femininity. For me the feminine is encoded in form, not cosmetic adornment, so I don’t read high heels, short skirts, makeup, hairstyle etc, as intrinsically feminine at all. It’s just what most women do to mate. But Hillary’s appeal transcends that. I mean when someone says, “Hillary is hot!” they’re responding to something else, something inside her. Maybe it’s her martial energy, her facility with language, her confidence or some combination of those things and her curves. I don’t know, but whatever the thing is about Hillary both men and women respond to it, especially her male counterparts around the globe. They totally dig her. So in that world, she is a modern day Marilyn, hence the rip on “Diamonds are a girls best friend.” Of course in Hillary’s case, political clout trumps diamonds.