Kathryn Harrison in The New York Times:
It’s a hard sell Nathaniel Philbrick has undertaken in “Why Read Moby-Dick?” The novel’s plot has been recycled for decades, inspiring films, radio dramas, cartoons, comic books, a television mini-series, a couple of heavy metal albums, a music video and a rap rendition. How many potential readers approach the masterwork of Herman Melville without already knowing the story of Captain Ahab and the white whale? Any? And why would such an overly exposed audience embrace a work of such heft, especially as almost every edition carries the added weight of ponderous academic commentary? “Moby-Dick” would appear to be one of those unfortunate books that are taught rather than enjoyed.
But who knows how many teeter in the aisles of Barnes & Noble, both drawn and repelled by the promise of edification? It’s the historian Nathaniel Philbrick’s intent to give those uncertain consumers a gentle shove toward the “one book that deserves to be called our American Bible.” He wants “you — yes, you — to read . . . ‘Moby-Dick.’”