From The Guardian:
When The Book of Destruction, Kai Wiedenhöfer's exhibition of photographs documenting the consequences of Israel's war against Gaza, opened at the Musée d'Art Moderne in Paris late last year, two men wearing ski masks and motorcycle helmets tried to storm the building to damage the exhibits. An umbrella group of Jewish organisations in France accused him of “virulently anti-Israel views”. Others on the internet charged him with “fanning the flames of antisemitism”.
The award-winning Wiedenhöfer, whose exhibition moves to London this week, is not unaccustomed to such charges and finds them ridiculous. They first emerged in 2005 during discussions with Berlin's municipal authorities for a project – which never saw the light of day – involving affixing giant prints of Israel's West Bank separation wall on to what remains of the Berlin Wall. During talks, a local politician informed him that the panoramic images in his book, Wall, which were to be used for the project, were “antisemitic photography“. “I asked him to define antisemitic photography,” says Wiedenhöfer. “He replied that I had pictures in the book that showed Israeli soldiers being violent against Palestinians.” Sitting in his bare Berlin apartment, Wiedenhöfer is suddenly animated and goes to fetch a copy from his bookshelf. “I know every picture in this book. There is not a single image of an Israeli laying a thumb on a Palestinian. So I said, 'Show me!'” Wiedenhöfer flicks through the pages. “This is the only image of violence in the whole book – it's an Israeli soldier removing Israeli peace protesters.”