From The Guardian:
Although The Arabian Nights became widely known in Europe after the Crusades and inspired countless artists and writers (from Chaucer to Dickens to Rushdie in Britain), Sir Richard Burton's translation in the late-19th century brought it a new level of popularity on these shores, not least because it was purported to expose the vagaries of the Muslim mentality and Arab way of life. Perhaps these injudicious perceptions, callusing over time, even laid the foundations for present-day Islamophobia.
The Arabian Nights is that magical mirror that reflects Islam's genius, its vast cultural scale and its incalculable contribution to the arts and sciences. The tales celebrate life and the blessings it offers. Praising love, joy, courage, defiance, compassion, they negate the teachings of such death-worshippers as Khomeini, Al-Qaida, Taliban et al. For those wondering where the true voice of Islam is, be assured it is here in these 1,001 tales.
But what of the brutality they contain? What about their obsession with death?
True, Death, “the destroyer of delights”, is forever on the prowl. Indeed, even before Shahrazad, the teller of these tales, utters a word, it has claimed 3,000 virgins – all deflowered and executed, at the rate of one each day, by Sultan Shahryar, as punishment on womanhood for his wife's infidelity. However, when Shahrazad volunteers to be Shahryar's next victim, her intention is to defy Death, not to surrender to it meekly. And as she secures her daily reprieve with a fresh story, she denounces summary brutality and exalts the sanctity of life. Eluding Death is The Arabian Nights' raison-d'être.