Chris Campion in The Observer:
From Psycho to Singing in the Rain, Slade in Flame to Shaft, our star-studded panel of big screen connoisseurs select the greatest soundtracks in cinema’s history …Why everyone’s a friend of Dorothy
Film soundtracks are a broad church, encompassing classic orchestral scores and pop jukebox compilations, spoken word and sonic effects. So we’ll be having none of this ‘incidental scores only’ snobbery in our list. Fitting, then, that our number one contender is a cross-generic masterpiece (is it a jolly kids’ singalong? A dark adult fairy tale? A subversive camp classic? Even a snuff movie?) which won Oscars for both original score (for Herbert Stothart) and best original song (Arlen and Harburg).