by Derek Neal
Lea Ypi’s first memoir, Free, began with a scene of her hugging a headless statue of Stalin in Durrës, Albania as a child. The image was effective in showing the young Ypi’s devotion to communism, which was important as the book dealt with her disorientation upon its fall and the realization that much of what she believed about her life had been a lie. Some readers, however, took issue with what they considered Ypi’s excessive use of artistic license: there was no statue of Stalin in Durrës, just a small bust with its head intact.
This controversy was related in Thomas Meaney’s review of Free in the London Review of Books, with Meaney siding with Ypi’s critics. Ypi responded, in the first instance, by referencing Walter Benjamin’s essay “Excavation and Memory,” which argues for a more nuanced understanding of truth and history, and in the second instance, by questioning those who would try to “police the memory of an eleven-year-old.” In Indignity, Ypi’s new book detailing both the life of her grandmother and her own investigation into that life, Ypi doubles down on her storytelling approach blending memory, historical fact, and imaginative literature, but she faces an even more difficult task as she is dealing not with her own memories, but those of her grandmother.
In “Excavation and Memory,” Benjamin writes that memory produces “an image of the person who remembers” and that this person must note “where he gained possession of” a memory. In other words, how one remembers is just as important as what one remembers, and the two cannot be neatly separated. Understood in this way, Ypi’s memory of hugging Stalin could be considered “genuine” in that it captures a historical consciousness unavailable to the present-day reader—the feeling of an eleven-year-old girl who thinks there’s nothing better in the world than communism—and it does so more effectively than a dry accounting of historical fact can. Ypi’s insistence on “the memory of an eleven-year-old” is key as well—for the past to come alive, it can’t be revisited through the perspective of the adult Ypi, only that of the child.
But how does one do this with memories that are not one’s own? Read more »


Just came back from a trip to China, my first in a decade and my first focused specifically on AI risk. Covering Beijing as well as Shanghai, conferences as well as university events, this was a highly illuminating trip from several perspectives. China has continued to develop extremely quickly since my last visit and has grown even more fascinatingly different from Western countries.
About thirty years ago my wife and I rented a car in London. The experience is seared into my memory forever. The steering wheel was on the wrong side of the car, and I was expected to drive on the wrong side of the road. It took all my concentration, but I was able to manage, more or less, until we came to a roundabout. I had never seen a roundabout before. Didn’t know what it was.
I was going to write about a recent study [1] on raccoons, where the adaptable little critters were given puzzle boxes to solve in order to access food rewards. On each box there were three small doors with their own distinct mechanisms, each requiring a different kind of manipulation to open. What made this study notable was that, unlike previous experiments where solved puzzles were locked out or removed to focus on new puzzles, the experimenters left the previously solved puzzles accessible to the raccoons in subsequent challenges. The raccoons were able to manipulate mechanisms that they had previously figured out, in addition to the new challenges, although they received no additional food rewards for their extra work. The upshot of the results is that the raccoons displayed an intrinsic motivation to mess around with latches, locks and doors, even when no obvious extrinsic reward was to be had. This will surprise nobody who has tried to prevent raccoons from getting into their property. There is a straightforward adaptationist explanation for this: if the animals find it psychologically rewarding to muck about with things for the fun of it, they are more likely to acquire new information and behaviours that could be useful later. Much like how the intrinsically rewarding experience of sex makes reproduction more likely.






Sughra Raza. Sunset. Vermont, July 15, 2026.
What makes a city? What gives a place its distinct character? I think of the slogan ‘dilwalon ki dilli’ – the supremely banal play on words. It works in the context of Delhi only because of a happy conjunction of the word dil, or heart, with the Hindi word for the city – ‘Dilli’. It works also because it simultaneously tells us everything and nothing. Okay, people in Delhi have hearts; though this might be disputed by many who live precarious lives in this city, the marginalized, the victims of the violence the state and citizens alike often perpetrate on them. In any event, do people in other cities not have large hearts? Still, it is a catchphrase that makes those of us who live in the city feel good about ourselves. As Delhi’s most famous poet would have said, “dil ke khush rakhne ko Ghalib yeh khayal achchha hai” – it is a thought that keeps us happy.
For about 450 years, the western European colonial powers shit all over the world in spectacular fashion. Genocide across the Americas and the trans-Atlantic slave trade were the main drivers during the first phase. By the mid-19th century, European colonialism was approaching its bloody apogee with more genocide in Australia, the carving up of much of Asia, and eventually the scramble for Africa.
A recent
I always enjoy Rebecca Solnit’s writing, and her 2025 book,