ABOUT US | QUARK PRIZES | DAG-3QD SYMPOSIA | MONDAY MAGAZINE | ARCHIVES | FOLLOW US |

3 Quarks Daily Advertising

 

 

 

 

Please Subscribe to 3QD

Subscription options:

If you would like to make a one time donation in any amount, please do so by clicking the "Pay Now" button below. You may use any credit or debit card and do NOT need to join Paypal.

The editors of 3QD put in hundreds of hours of effort each month into finding the daily links and poem as well as putting out the Monday Magazine and doing all the behind-the-scenes work which goes into running the site.

If you value what we do, please help us to pay our editors very modest salaries for their time and cover our other costs by subscribing above.

We are extremely grateful for the generous support of our loyal readers. Thank you!

3QD on Facebook

3QD on Twitter

3QD by RSS Feed

3QD by Daily Email

Receive all blogposts at the same time every day.

Enter your Email:


Preview 3QD Email

Recent Comments

Powered by Disqus

Miscellany

Design and Photo Credits

The original site was designed by Mikko Hyppönen and deployed by Henrik Rydberg. It was later upgraded extensively by Dan Balis. The current layout was designed by S. Abbas Raza, building upon the earlier look, and coded by Dumky de Wilde.

The banner images have been provided by Terri Amig, Carla Goller, Tom Hilde, Georg Hofer, Sheherbano Husain, Margit Oberrauch, S. Abbas Raza, Sughra Raza, Margaret Scurlock, Shahzia Sikander, Maria Stockner, and Hartwig Thaler.

« RIDER ON THE STORM | Main | Aisha's Cushion »

Friday, December 21, 2012

the inexplicable debussy

ID_KS_SYDNO_DEBUS_AP_001
Listening to Debussy requires a full immersion in the music. Someone once told me they liked classical, but primarily listened to it as background music. In general, but especially with an impressionist like Debussy, this is tantamount to quickly scanning through a chapter of Hemingway. But active listening isn’t for everyone; it is much easier to tune in and out of a series of easily digestible baroque minuets. Music is able to accomplish a surprising amount. It is the only art form capable of capturing an emotion or, even, the heart of a country. Most classical pieces do not aim to accomplish so much, but this is why Debussy is an exceptionally difficult composer to play. A musician must be a true extension of their instrument to transcend beyond the notes on the page into the soul of something else. Debussy wasn’t just the first composer I never learned to play; he was the last composer I attempted. I was in the middle of struggling through Clair de lune, when I stopped playing the piano. Listening to it now, I think that it may have simply slipped out of my hands. Impossible to grasp, like light or water.
more from Mary Sydnor at The Smart Set here.


Posted by Morgan Meis at 12:48 PM | Permalink

comments powered by Disqus