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November 18, 2012

Goodbye, Frustration: Philip Roth on Retirement

JP-ROTH-1-popup

Charles McGrath in the NYT:

To his friends the notion of Mr. Roth not writing is like Mr. Roth not breathing. It sometimes seemed as if writing were all he did. He worked alone for weeks at a time at his house in Connecticut, reporting every morning to a nearby studio where he wrote standing up, and often going back there in the evening. At an age when most novelists slow down, he got a second wind and wrote some of his best books: “Sabbath’s Theater,” “American Pastoral,” “The Human Stain” and “The Plot Against America.” Well into his 70s, the books, though shorter, came uninterruptedly, practically one a year.

But over the course of a three-hour interview — his last, he said — Mr. Roth seemed cheerful, relaxed and at peace with himself and his decision, which was first announced last month in the French magazine Les InRocks. He joked and reminisced, talked about writers and writing, and looked back at his career with apparent satisfaction and few regrets. Last spring he appointed Blake Bailey as his biographer and has been working closely with him ever since.

Mr. Roth said he actually made the decision to stop writing in 2010, a few months after finishing his novel “Nemesis,”about a 1944 polio epidemic in his hometown, Newark.

“I didn’t say anything about it because I wanted to be sure it was true,” he said. “I thought, ‘Wait a minute, don’t announce your retirement and then come out of it.’ I’m not Frank Sinatra. So I didn’t say anything to anyone, just to see if it was so.”

Posted by Robin Varghese at 11:34 AM | Permalink

Comments

Unless Roth is ill and physically not up to the strain of being an artist, I think it's sad he would decide to quit writing and spend his remaining time examining his ephemera with an eye to his biographer's labors. Thank God Doris Lessing hasn't heard of quitting.

Posted by: Elatia Harris | Nov 18, 2012 4:48:13 PM

Gioachino Rossini did retire early and perdures.

I, for one, will miss Roth for countless reasons.

Thanks for the post.

Posted by: Félix E. F. Larocca, MD | Nov 18, 2012 7:50:28 PM

Felix, I cannot bear the comparison of Rossini and Roth, even by remote implication. Even by adjacence, or contiguity. One performance of Semiramide is worth everything Roth's got.

Posted by: Elatia Harris | Nov 18, 2012 9:40:08 PM

Roth reminds me of Jim Brown or Sandy Koufax; he's retiring when he still can produce, but feels he (presently) lacks the intensity/capacity to produce at a level he would find rewarding. That he can still write, and still sell, but chooses not to is indicative of a kind of integrity. Not every artist leaves the stage before their "sell past" date.

Posted by: Michael Liss | Nov 18, 2012 10:42:15 PM

If Philip Roth has nothing left to say then why does he keep talking? Who won't he just shut up, already?

Posted by: Josef Stern | Nov 19, 2012 3:22:35 AM

Indeed, Michael. One need not look further than the Rolling Stones for confirmation of your theory.

Posted by: DrunktankDan | Nov 19, 2012 3:55:18 AM


Roth's decision is commendable. And he did say the interview "was his last".

There are many established artists who continue to produce works that are vapid. Because of their reputation they find a market. If it is not for the money, it is for adulation. They crave the stroking.

Posted by: waqnis | Nov 19, 2012 1:25:11 PM

Elatia, I did not compare Rossini with Philip Roth, I just wanted to stress that Rossini got lazy as a composer with the passage of time (he got corpulent as well with the passage of pasta perhaps).

That was my point. But thanks for your enlightening comment,

For an interesting diversion

http://www.newyorker.com/talk/comment/2012/11/26/121126taco_talk_gopnik?mbid=nl_Weekly%20(30)

Posted by: Félix E. F. Larocca, MD | Nov 19, 2012 7:42:22 PM

Felix, I do not believe Rossini got lazy, although his affinity or the pleasures of the table is well known. Credible scholarship suggests he was emotionally and physically ill after, approximately, the time of Semiramide --early 1820s I think. If I'd written Semiramide, I would have blown a fuse too. Ill or not, he was a gifted pianist and used lots of his post-composition time to play that instrument. There was also the death of his wife, a hugely famous Spanish soprano -- Heaven knows how affected he was by that.

Posted by: Elatia Harris | Nov 19, 2012 8:31:46 PM

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