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September 10, 2012

Ardor and Blight: A Women's Dictionary

by Mara Jebsen

These are the first two entries of a book of poem-essays inspired by the Oxford English Dictionary.

 

A is for Ardor

Tumblr_l89dcnJY4Q1qd89zio1_500 

Ardor is life. The zeal in a line

down the centre of the body. The wick.

I ascend, with burning

eye. Ascend: to rise

over mountain and lesser; to take on, in some sky

the space of dominion. Now Animated.

Now moved 

from within. Fully half of all ancestors

are women. Their brave, painted faces are hard

to know. The frame around mine,

and the frame around yours could melt – there was a song:

my grandma and your

grandma,

            sitting by the fire-

then one set the other’s flag ablaze.

 

It happens that our ancestors are moving

in small circles, in skirts, in their different

houses. Let us will them: Leave their houses. 

Burn flags together. Ancestor worship-- is veneration

of those dead, whose blood we believe

is threads through our own; that even now they hold sway

over the affairs of the living. Ahankara, in Buddhism

is the false identification

of the true inner spirit with the body,

or mind, or outside

world.

 

It all burns off, except the wick, the promise 

   of fire.  Are we ardent spirits,

like brandy and gin? I cannot picture

myself without a body.  Dear

grandmama, most inflammable of 

flammables;         how is it I know

you are dancing like blazes in the waltz

of the beyond:  when I spin, I burn; hands open, receiving

the gust of a gift called ardor.

 

B is for Blight

(an education for belles) Images-1

 

A Balalaika is a Russian instrument with a neck

like a guitar. Not to be confused

with balabaika: to talk nonsense, faradiddles       hogwash.

Or balderdash (which is

of course 

 bullshit, horseshit , but quite a bit

 gentler--   to babble

 like a babe.)

 

It is important to know: a ball is a lavish, formal

party. Where belles cluster

by balustrades. But a ballotade is a way a horse moves,

          drawing in the leg so the iron shoe shows.

Blackknot makes spots on cherries and plums.

       Blackleg attacks the thighs of goats. 

 And sheeps.

 

Well,

there can’t be belles

if there aren’t peasants.  This is how one dances

in an age of plagues.  Lets talk rot with our loving

baby’s breath.  Let us mix

betwixt

white columns, farces, masked balls, lame horses, whilst

Black-hearted knaves

bear knives on highways.  Lace me my corsets?

Damsels must be protected  

from farmhands’  handsy

gropes. With folded fans.  With cordons. With ropes.

Posted by Mara Jebsen at 12:20 AM | Permalink

Comments

What is the name the book these are from? They've peaked my interest.

Posted by: lisa g | Sep 10, 2012 12:36:11 PM

oh! it something i'm writing. it isn't finished yet. i'm only on Q. . .
thanks, though!

Posted by: Mara | Sep 10, 2012 2:30:05 PM

Hurry!
Get to Wabash
And publish.
Fantastic work
Awaited by all sorts.

Posted by: Trish | Sep 11, 2012 2:34:18 PM

WHIRLING DERVISH ~ "Ahankara, in Buddhism is the false identification of the true inner spirit with the body,or mind, or outside world."

Posted by: mark kruger | Sep 11, 2012 5:49:57 PM

Interesting. I don't know Wabash, but will look into it.

And yes...I was interested in the way the whirling dervish might be considered a "false identification," but sense that actually Ahankara and the whirling might have more in common than not...

Posted by: Mara | Sep 12, 2012 3:21:04 PM

Correction: I sensed that the whirling, despite being body-centered, might NOT be totally contradictory to the notion of Ahankara...

Posted by: Mara | Sep 12, 2012 3:24:52 PM

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