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June 13, 2012

Sartre, Camus and a woman called Wanda

From The Telegraph:

CamJean-Paul Sartre, the great existentialist philosopher, had one big problem: he looked like something hanging off the outside of Notre Dame. This wouldn’t have been so much of a problem except that he was also a self-confessed Don Juan. His philosophy explained how to score even though ugly. It was like a self-help manual for ogres and losers. But then he had the misfortune to run into Albert Camus: another philosopher, another self-confessed serial seducer, but – and this was the key point – much, much better looking. Camus was a movie star among French philosophers. He had Resistance chic, and wore the collar of his trench coat turned up like Humphrey Bogart. He was a man Vogue wanted to photograph, who never really had to try too hard. Whereas Sartre had to try very hard. “Why are you going to so much trouble?” Camus, all laid-back cool, said to him one night when they were out drinking in some Left Bank bar and Sartre had been laboriously applying his chat-up routine. “Have you had a proper look at this mug?” Sartre replied. So when they fell out it was always about more than a woman. But it was definitely about a woman, too. Her name was Wanda.

In the middle of the Second World War, Sartre and Camus had their own private little war going. But Sartre’s relationship with Wanda went right back to before the war, pre-Camus. For years, Sartre had been obsessing over Wanda’s older sister, Olga Kosakiewicz, one of Simone de Beauvoir’s students. De Beauvoir seduced Olga to start with, then tried to pass her on to Sartre. But Olga wasn’t really up for it. De Beauvoir was a lot better looking than Sartre, and taller, too. So began Sartre’s fixation on the first of the half-Russian Kosakiewicz sisters. Olga got into his plays; she got into his novels. But one thing he could never quite pull off was getting her into his bed. She resisted without ever entirely pushing him away. She was Sartre’s unattainable object of desire, the “transcendental signifier”, as their friend Jacques Lacan, the psychoanalyst, would have said. I think Sartre managed to interpret all his sexual frustration as good for his existential soul.

More here.

Posted by Azra Raza at 06:29 AM | Permalink

Comments

A fascinating review. And to think that Jacques Lacan befriended all the French philosophers of his time for the wrong reasons.

The one strikingly left out from his 'intimates list' was the ever elusive Simone de Beauvoir.

An enormously interesting read: Jacques Lacan by Elisabeth Roudinesco.

Did Wanda inspire Sartre's Nausea?

Nice posting.

Posted by: Félix E. F. Larocca, MD | Jun 13, 2012 8:11:36 AM

My god. Is this how one of the ten most influential works of philosophy in the 20th century is to be treated? Reduced to the descriptor "how to score when ugly"?

This article says far more about the psychology of the reader who enjoys it than it does about Sartre. This kind of reader is captivated by sex and petty drama, bears a hidden resentment towards successful intellectuals, and has absolutely no motivation to try to understand what those intellectuals actually thought.

Posted by: Joe | Jun 13, 2012 2:14:44 PM


I'm with Joe. Was I supposed to learn something important from the narcissistic, childish, and petty connivings of otherwise great writers and thinkers?

Posted by: Norman Costa | Jun 14, 2012 10:45:36 PM

Well it doesn't say much about Sartre or Camus' respective works, but it might be a "funny" insight into their somewhat petty fall out.

Btw, Sartre was wrong - :p

Posted by: shlarl | Jun 15, 2012 9:57:15 PM

Norman, I believe we do learn something important from the sexual behavior of geniuses, especially in math, science, and philosophy, provided we believe that being super-brainy ages 15 to 35, if you are a man, is a form of mating display. James Watson recalled that the search for DNA was all about getting a certain girl whose attention was coveted by everyone. Male geniuses in the arts, too, but to a lesser degree, should be "studied" through this lens. Stravinsky was asked what mood in music was for; "it's for girls," he answered. There is impressive research to say these are not merely randy biographical details, but important cues to when male geniuses were feeling intellectually hottest and most fertile, and why.

When you look at the admittedly shorter list of women of scientific genius, in their reproductive years, you see something very interesting too. Many of them were eager to go to a convent -- where they could work almost uninterruptedly and put their talents to good use without fear of pregnancy and death from childbirth. The kind of sex life one could have in the convent was probably just right -- hot, collegial, and of no great consequence. Maria Gaetana Agnesi, one of the most gifted mathematicians of all time and either gender, was the daughter of a minor aristocrat who forced her to raise her twenty younger siblings when their mother died. Don't you know that got in the way? Finally, she entered a convent, at her father's death. Women who were polymaths sought convent life, too -- see Hildegard of Bingen's story.

By contrast, women of artistic genius are likely to seek the pain of love. The emotional intensity of being unhappily in love can potentiate creative activity like nothing else -- just ask Anna Akhmatova, who needed a certain romantic devastation to be fruitful. And almost always managed to get it.

Posted by: Elatia Harris | Jun 15, 2012 11:03:26 PM


@ Elatia,

Thanks for taking the time and effort to enlighten. Regarding men, my reaction is that it makes a lot of sense to me.

Regarding women, three-quarters through the second paragraph I am saying to myself, "Of course. That's why we have Hildegard." Then you name her at the end. This was the most interesting and enlightening. It reminds me of "My Brilliant Career." The young woman who was so loved by a young man, refused marriage and children so she could pursue her love and passion for writing.

As usual, you spot the areas needed for shoring up, and then supply some of the timbers. Many thanks.

I did ask Anna Akhmatova:

"A widow in black

"A widow in black -- the crying fall
Covers all hearts with a depressing cloud...
While her man's words are clearly recalled,
She will not stop her lamentations loud.
It will be so, until the snow puff
Will give a mercy to the pined and tired.
Forgetfulness of suffering and love --
Though paid by life -- what more could be desired?"
--Anna Akhmatova

Haunting and beautiful. I don't think I am ready for more, just yet.

Posted by: Norman Costa | Jun 16, 2012 1:36:35 AM

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