June 19, 2012
Call me the greatest American novel: Moby-Dick
Christopher Buckley in Salon:
Consider Ishmael’s new friend Queequeg, the extravagantly tattooed harpooneer, a prince of his forsaken South Sea island. The unlikely friendship between these two, begun accidentally in a shared bed at the Spouter Inn, is one of the great friendships in American, or any, literature. A few months ago at a pub in Chelsea, London, I looked up from my pint and saw chalked on the wall: “Better to sleep with a sober cannibal than a drunken Christian.” It’s from that chapter when they first meet; their friendship was nothing if not multicultural, a forerunner of the other great celebration of diversity that took place between Huck and Jim on the raft. Everyone in high school in my day read Herman Wouk’s novel “The Caine Mutiny.” The nutty captain in that book is, you’ll recall, named Captain Queeg. He takes after Captain Ahab, not the noble Queequeg. Consider, too, the chief mate of the Pequod, Starbuck. In a passage that never fails to bring tears to my eyes, the earnest Starbuck pleads with Ahab to abandon his blasphemous, vengeful quest for the white whale. It’s in that paragraph that we see Ahab’s mask slip, just long enough for a tear to roll down his scarred cheek and drop into the ocean. “… nor was there in all the vast Pacific more wealth than in that one drop.” Sorry. Where were we? Starbuck. Yes, well, I think you’ve heard that name, somewhere.
Lest I roll on like the sea 5,000 years ago, consider finally the great theme of the book: Man’s ontological struggle with God. As themes go, it’s the Big One. W.H. Auden wrote an amazing poem about Herman Melville. I’ll try quoting it from memory, too, but you’ll want to look up the whole poem for yourself. Trust me. It’s about how Melville could have played it safe and gone on writing popular adventure books in the style of “Typee” and “Omoo” …
… The storm that blew him past the Cape of Sensible Success that cries ‘This rock is Eden, shipwreck here,’
but deafened him with thunder and confused with lightning,
The maniac hero, hunting like a jewel the rare ambiguous monster
that had maimed his sex, hatred for hatred, ending in a scream.
The unexplained survivor, breaking off the nightmare.
All that was intricate and false, the truth was simple.
It’s a great poem, and a very good key to “Moby-Dick” and its author.
More here.
Posted by Azra Raza at 07:22 AM | Permalink






















Comments
No argument. There are really no novels - especially American novels - that captured America the way that Melville did. The novel is both elusive and visceral; concise and obscure; shimmering with classicism but flirting (perhaps for the first time in American letters) with the Modernist soul. Economics, religion, leisure, sexuality, morality, transcendence it's all in there.
I might add that when my college teacher asked us all to write one word that summarized the novel, I wrote "god". I'm an atheist, but this is clearly the most profound exploration of Western spirituality ever portrayed. In the real (secular) world, there are things beyond our comprehension despite our fear and fascination with it. That's God. The symbol of God is obvious and troubling. Bravo, Mr. Buckley.
Posted by: ray butlers | Jun 19, 2012 1:22:53 PM
Hi!
You might want to check out our Call Me Melville website: http://callmemelville.org/
our Twitter page: http://twitter.com/ArtsPittsfield
and our Facebook page: https://www.facebook.com/CallMeMelville
Thanks!
Posted by: Office of Cultural Development, City of Pittsfield | Jun 28, 2012 1:22:32 PM
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