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March 27, 2012

whoever we may be, we are aliens too

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Vincent Gallo is one of the most disliked of current film actors, while George Clooney is one of the most admired, but most viewers of Essential Killing—American, Belgian, Sri Lankan, or Japanese—probably have more in common with Gallo’s “Mohammed” than they have with Clooney. Anyone can be targeted, victimized, have their eardrums blasted out, be forced to hide and kill in order to survive. All these are possibilities of human existence that, at the advanced stage of civilization we enjoy, are available to everyone. But to be George Clooney? He may make it look easy. It’s in the voice, however, that the deceptive quality of the Clooney figure can best be detected. Clooney, who is from Lexington, Kentucky, speaks with an unmarked accent, an accent of zero. His vocal deadpan (so soothing in Wes Anderson’s Fantastic Mr. Fox [2009]) projects a reasonableness and an authority that do not impose themselves through any apparent violence. When he talks, it’s as if he were saying nothing. Such a talent makes him indeed The American.
more from Chris Fujiwara at n+1 here.

Posted by Morgan Meis at 10:59 AM | Permalink

Comments

"These films ask: Is our conscience clear? Have we learned enough yet? To pose these questions is the limit and the point of the exercise. Essential Killing doesn’t bother with issues of conscience, of learning, and it doesn’t even address or construct an “us.” The Westerners of Skolimowski’s film are no less alien than the Middle Easterners. The politics of the film could be stated like that: whoever we may be, we are aliens too."

How can we not be aliens so long as we have an 18th century viewpoint about reason?

Posted by: Dredd | Mar 27, 2012 8:03:06 PM

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