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March 31, 2010

In Disobedient Rooms: China Mieville on J.G. Ballard

1267130005-largeIn The Nation:

The publication of any book by J.G. Ballard at this moment--let alone so colossal and career-spanning a volume as The Complete Stories, running to nearly 1,200 pages--is an occurrence that can only be about more than itself. All writers are writers of their time, of course, but Ballard, who after a fight with cancer died in April 2009, feels somehow uniquely, precisely so. This book marks the fact that we are all post-Ballard now: it's not that we've gotten beyond him but rather that we remain ineluctably defined by him. Completists have pointed out that, its title notwithstanding, this volume is not a truly comprehensive collection of all Ballard's published short fiction. Those few omissions are a disappointment. Nevertheless, they are few, and despite them the book is indispensable.

The volume's ninety-eight stories (including two written for this edition) are printed in chronological order of publication, which illuminates Ballard's trajectory. There is something fascinating and poignant about watching various obsessions appear, reappear or come gradually or suddenly into focus: birds, flying machines, ruins, beaches, obscure geometric designs, the often-noted empty swimming pools. That the earlier stories are on the whole less compelling than the later, and more numerous, suggests a career-long process of distillation, a rendering-down. Both in facility and insight, early works such as the wincingly punning "Prima Belladonna"--the first of many journeys to Vermilion Sands, an artists' colony-cum-fading seaside resort supposedly somewhere in the real world though full of impossibilities and dream technologies--or "Now: Zero" and "Track 12," rather overwrought Dahl-esque tales of the unexpected, are slight compared with the later dense and strange forensics. Many of the stories function as testing grounds for Ballard's novels. For the admirer of his longer work there is the slightly disconcerting pleasure of déjà vu, of stumbling into précis and dry runs. Here are various aspects of Empire of the Sun, Crash, The Crystal World. This book is a valedictory, an event, the ground-laying for investigations.

Posted by Robin Varghese at 11:53 AM | Permalink

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