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February 21, 2008

THURSDAY POEM

   

   W.H. Auden would be 101 years old today.

   Musee des Beaux Arts
   W.H.Auden

   About suffering they were never wrong,
   The Old Masters; how well, they understood
   Its human position; how it takes place
   While someone else is eating or opening a window or just walking dully along;
   How, when the aged are reverently, passionately waiting
   For the miraculous birth, there always must be
   Children who did not specially want it to happen, skating
   On a pond at the edge of the wood:
   They never forgot
   That even the dreadful martyrdom must run its course
   Anyhow in a corner, some untidy spot
   Where the dogs go on with their doggy life and the torturer's horse
   Scratches its innocent behind on a tree.

   In Brueghel's Icarus, for instance: how everything turns away 

   Quite leisurely from the disaster; the ploughman may   
   Have heard the splash, the forsaken cry, 
   But for him it was not an important failure; the sun shone 
   As it had to on the white legs disappearing into the green 
   Water; and the expensive delicate ship that must have seen 
   Something amazing, a boy falling out of the sky, 
   had somewhere to get to and sailed calmly on.

..

  Painting_bruegel_icarus

 

Posted by Jim Culleny at 12:50 AM | Permalink

Comments

Thank you for posting this! It captures so lyrically what I love so much about the grand master paintings, and yes, the "genre" paintings that Auden describes here: particularly the attention to daily minutiae! One of my favorite 15th Century Dutch paintings, of a Rest on the Flight to Egypt, shows Mary in the foreground, in all her glory; in the distance you see a wizened old Joseph leaning on his staff, while he takes the donkey for a little walk, as a farmer ploughs an adjacent field. Poor Joseph! Anyway, when I visit museums, I love spending the time to really look over every inch of these canvases -- there it just so much that doesn't come across in reproductions.

Posted by: ecp | Feb 21, 2008 1:34:17 AM

Jim,

This is the very poem I had thought to suggest putting up today! And you even found the painting...

Thanks, man, you read my mind.

Posted by: Abbas Raza | Feb 21, 2008 1:46:58 AM

Happy Birthday, Mr. Auden.

Some of us have "never forgot, that even dreadful martyrdom must run its course."

Nor have we "forgot" your seeming dare/ but also a hopeful prayer of sorts that said:

"Life remains a blessing, although you cannot bless."

Nor have we "forgot", at least those of us (maybe not so few?) to whom your poetry has spoken when we were not listening quite, but still heard:

"For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone."

Mr. Auden. On this, your birthday, I wish that your dreadful martyrdom has run its course, that you found that "life remains a blessing, atkthough we cannot bless", and also that you did know ( which we suspect, you did) what it is " to be loved alone".

Know that some of us understand, still, in 2008, what means your injunction that:
" You shall love your crooked neighbour, with your crooked heart".

Humanity and hope, however dismal the prospects may seem, your poetry insists that we remember.

Happy Birthday, Mr. Auden.

Posted by: kb | Feb 21, 2008 1:50:23 AM

ecp - There are many things that are missed in a single viewing of a good painting. In this Brueghel I love what looks like a comic touch: Icarus' legs flopping in the sea next to the ship as he meets his end. It looks almost slapstick.

Posted by: Jim | Feb 21, 2008 5:34:52 AM

Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.

Could he have been more prescient than he was in the "Unknown Citizen"?

Posted by: rhbee | Feb 21, 2008 9:36:09 AM

From "York: In Memoriam W. H. Auden" by Joseph Brodksy, who once called Auden the only man with the right to sit on the whole of the English language...


The butterflies of nothern England dance above the goosefoot
below the brick wall of a dead factory. After Wednesday
come Thursday, as so on. The sky breathes heat;
the fields burn. The town gives off a smell of striped
cloth, long-wrapped and musty; dahlias die of thirst.
And your voice--"I have known three great poets. Each
one a prize son of a bitch"--sounds in my ears
with disturbing clarity. I slow my steps

and turn to look around. Four years soon
since you died in an Austrian hotel. Under the crossing sign
not a soul: tiled roofs, asphalt, limestone,
poplars. Chester died, too--you know that
only too well. Like beads on a dusty abacus,
sparrows sit solemnly on wires. Nothing so much
transforms a familiar entrance into a crowd of columns
as love for a man, especially when

he's dead.

Posted by: Robin | Feb 21, 2008 10:27:05 AM

My typos, e.g. "come" instead of "comes", should not be use to infer that Joseph Brodsky was illiterate.

Posted by: Robin | Feb 21, 2008 10:31:11 AM

rhbee - "Unknown Citizen" was my alternate choice for today before I settled on Icarus.

Jim

Posted by: Jim | Feb 21, 2008 10:49:49 AM

"Should not be use to infer..." I infer only that YOU are illiterate! :-)

Posted by: Abbas Raza | Feb 21, 2008 2:12:00 PM

True, very true. Or should that be "Treu, veyr treu..."

Posted by: Robin | Feb 21, 2008 2:25:08 PM

He was a fucking gay

Posted by: Aryan | May 3, 2008 10:47:38 PM

hahahaha to above. hahaha.
Thank you for posting these lovely Auden poems, and the Brodsky tribute.

Posted by: awil | Jan 13, 2009 11:49:38 PM

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