June 30, 2007
Otis Redding as Purveyor of Celestial Music
Music has soul. We operate as though it does. In fact, music is one of the few areas of human endeavor where the word soul, even among secular types, is liable to go unchallenged. All kinds of music are occasionally imputed to have soul. Even music that doesn’t have anything but volume or a tiresome double-kick drum sound. Ray Coniff, to a listener somewhere, has soul. Who am I to say otherwise? Soul in these cases perhaps indicates earnestness, rhetorical force, and/or vocal polyps. Nevertheless, there are persuasive indications that the word soul does indeed manifest itself in music, and so maybe it’s useful here at the outset to point to a recording that demonstrates why music belongs in any discussion about heaven. So, along these lines, I’m going to describe briefly the mechanics of one example of soul music, namely, a live recording by Otis Redding entitled “Try a Little Tenderness.”
more from Rick Moody at Salmagundi here.
Posted by Morgan Meis at 07:47 AM | Permalink























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Redding's performance in "Monterey Pop" was, for me, the best part of that film.Technically, (as a movie) it may be too primative for viewers raised on concert films like "The Last Waltz" or "Stop Making Sense" but the section with Redding was riveting. If I were to see it again, would I still say that? This article tempts me to have another look at it. Moody's praise for this piece might seem a bit over the top but he is describing a performance, the intensity of which, makes his response understandable and the excess forgiveable. And besides, when is it ever a bad idea to try a little tenderness?
Thanks for the post Morgan.
Posted by: Pete Chapman | Jul 1, 2007 12:36:44 AM
At the risk of looking like a total trainspotter, there's a slight inaccurracy in Moody's article. I did sit down with an old copy of "Monterey Pop" over the weekend (pulled from a ZDF broadcast from years ago) and guess what? Otis never sang "Try a Little Tenderness" in the original film. He did it as part of his set but it was released as part of a separate film/video "Shake! Otis at Monterey" (which I saw theatrically sometime in the late eighties). The DVD Moody refers to is probably the latest release, "The Complete Monterey Pop Festival" by Criterion which includes the original film, the above mentioned,"Shake...", another spinoff film of Jimi Hendrik's set, and some additional footage not in the first film.
I mention this for the curious who might come across older VHS or DVD copies of "Monterey Pop" and wonder what's going on.
Posted by: Pete Chapman | Jul 4, 2007 12:11:09 PM
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